If you have a Color cast that is a result of a Light being a different color than the rest of the Lights in the image, you will need to get a bit more in Depth when editing to remove it. That is what today’s episode is all about.
We came across this tutorial by Juan Melara that shows how to get the Colors often seen in summer blockbuster movies. Today we’re going to show you how to achieve a very similar affect on your images with techniques that can be used in Photoshop.
These are the three major variables that go into creating a composite. To create a believable end result, the color, light, and perspective has to match as much as possible between the images you’re compositing.
It can be hard to pump up the Colors in a photograph without making it look unnatural. In RGB mode, changing your Colors in Curves will also produce changes in Brightness and Exposure. To fix this, we can easily switch to LAB Mode.