Apr 04, 2012

Completing a Photo with Sharpening, Color, and Vignetting

Finishing Up The Photo

Sometimes it’s easy to edit an image to 90% and feel that it is complete, only to wish later that you had tweaked it just a little further. In today’s episode I’ll finish up by showing you the last steps you can take to push a photo from good to great using sharpening, vignetting, and Color Balance techniques.

Episode Timeline

Related Tutorial

The Secret Behind Levels VS Curves in Photoshop Why Curves and Levels Are Important Curves and Levels are the bread and butter of Photo Editing, but it can be difficult to know which one to use. To...
How To Apply Cinematic Color Grading To Your Photos How To Apply Cinematic Color Grading To Your Photos We came across this fantastic tutorial by Juan Melara that shows how to get the Colors often seen ...
How to Change the Color of Anything in Photoshop Base Color and Highlight Color When changing the color of an object in Photoshop there are ways to change the base Color and the Highlight color, we ...
How to Color Tone Using Gradient Maps How to Color Tone Using Gradient Maps Quickly Color Tone your images using Gradient Maps. Create your own custom gradients or choose from many pre-lo...

Related advanced tutorials

Retouching 101-301
The Flood
Lightroom 101 & 201 Bundle


user image You
(will not be published)

  • user image
    François LE CORRE

    Just for info, you don’t need to desaturate when you use the high pass method.
    You can also use linear light blending mode, it’s a more intense than overlay and you can still play with opacity to adjust the velocity of the high pass sharpening effect.
    Great (4) episode(s)  Aaron ! 😉

  • user image

    Adobe claims that Smart Sharpen is the best sharpening (make sure to select lens blur). I’ve tried it and what I see in preview is never what I see when applied to the image. Its not your computer thats causing the lag when using the sharpen tool..thats just how it is.

    I love high pass and use your approach of first desaturating but always try to keep my pixel less than 4. When using high pass on women I find its best to first select my channels and apply only to highlight areas.

    For landscapes etc try “midtone contrast” technique developed by one of original Adobe engineers and sharpens only the midtones..fantastic technique.

    Also if you get a chance check out the Vincent Versace technique of pre sharpneing and seveal combined sharpening techniques for bringing a outof focus image back-Its a huge workflow but very interesting. You can catch a tutorial on this at KelbyTraining.

    In the future could you cover other sharpneing techniques like High frequency and LAB sharpening (may have done already) etc not sure when best to use or not use. Thanks for all your education.

  • user image
    Laura Eddolls

    We got shown a pretty cool way to sharpen at university, only problem is it flattens your image. So what you do is you change your image mode to Lab colour, then you go on your channels and command click into your ‘lightness’ channel to make a selection, then invert that selection, then put an unsharp mask on that selection with amount-500 and radius-1, (we were told to do another unsharp mask on top with amount-55 and radius-30, but I thought that was too much), then deselect and put your image mode back to RGB mode 🙂 Works well, but like I said, flattening the image isn’t really a good thing to do!