The most basic rules of composition are rather simple but can be extremely difficult to master. Here are a few less orthodox compositional suggestion that might help you make the most of your next photoshoot.
After Kat is cut out from her Background we then extract her Shadow to make it slightly visible under her. From here you are ready to place your subject on any Background you desire, whether it be a solid Color, another image, or a playing Card.
You are often capturing more information in a photo than you realize; the trick is learning how to find that detail. In this tutorial we go over a very simple solution to bring out detail in the Shadows as well as the Highlights.
Today we are going over some great techniques that can be applied to most images to make them a bit more interesting. By adding Color and Contrast to the image as a whole you can make your subject stand out a bit better in a few easy steps.
If you have a Color cast that is a result of a Light being a different color than the rest of the Lights in the image, you will need to get a bit more in Depth when editing to remove it. That is what today’s episode is all about.
We came across this tutorial by Juan Melara that shows how to get the Colors often seen in summer blockbuster movies. Today we’re going to show you how to achieve a very similar affect on your images with techniques that can be used in Photoshop.
By duplicating the image multiple times and using blending modes like Screen and Overlay, we’re able to alter different parts of the image separately using layer masks to make sure it looks the way we want it to.
These minuscule, and red squiggly lines are usually very unnoticeable, but when there is an involvement of a macro shot such as this one by Fernando Braga, they can become a Distraction of interfering with your great eyeball shot.