These are the three major variables that go into creating a Composite. To create a believable end result, the Color, Light, and perspective has to match as much as possible between the images you’re Compositing.
Fixing the Problem
In this image by Dean Richter, he’s pretty much nailed all three. But some of the color in the sunset isn’t present in the surfer’s wetsuit. It may not be strikingly apparent at first, but by creating a Color Fill layer and setting the Blend Mode to “Hue“, we can see that the sunset is much more saturated than the wetsuit.
Now that the Color Fill layer has showed us what needs adjusting, it’s up to us to fix it! By sampling Color from the sky with the Brush Tool and painting onto a New Layer set to Soft Light, we can bring the appropriate Colors into the areas they need to be. It’s not a huge Difference, but it does help to tie the image together.
Some of the color we painted has spilled onto the rest of the image. No problem, just group the layers together and create a Layer Mask. We can then paint on the mask, letting us control where the Color is visible.
In this tutorial, we break down all 27 blending modes that Photoshop offers, providing in-depth explanations and practical examples that are bound to help you get your creative work done faster and with impressive results.
In this tutorial, we cover several tools and techniques that, when combined, will allow you to create perfect masks of anything from the precision curves of designer products to the messy detail of a head of hair.
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