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2020 Edition
This lesson is from the original 30 Days of Photoshop. Photoshop has changed a great deal since — there is an updated version of this lesson in the 2025 Edition: How to Remove Distractions in Photoshop, Day 11.
Whether its power lines, street signs, or the occasional friendly photo bomb, sometimes we end up with things in our photos that we don’t want. Learn how to use the Spot Healing Brush and the Clone Stamp Tool to seamlessly remove any distractions, keeping the attention on the things that matter most.
This is Day 16 of our 30 Days of Photoshop series. Follow along with all 30 episodes as we explore the magic of Photoshop together!
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How to Remove Distractions from Photos
Poles, fences, signs, stray bits of trash: almost every photo has something in it you wish weren’t there. Photoshop can remove most of it in a couple of minutes with two tools. The Spot Healing Brush does the heavy lifting automatically, and the Clone Stamp cleans up anywhere the automatic result isn’t quite convincing. Both work on empty layers, so the original photo stays untouched and you can toggle the fix off and on at any time.
Start With the Spot Healing Brush
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Create a New Layer
Click the New Layer button at the bottom of the Layers panel. Everything you remove will be painted onto this blank layer.
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Set Up the Tool
Press J for the Spot Healing Brush. In the Options bar set Mode to Normal, Type to Content-Aware, and check Sample All Layers. That last setting is what allows the tool to work on an empty layer.
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Paint Over the Distraction
Simply paint over the object you want gone. Photoshop analyzes the surrounding image and fills the area with matching content. No special technique is needed; a mouse works fine.
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Work in Smaller Pieces
Long or complicated objects, like a fence running through the frame, come out better when you remove them in several short strokes rather than one large one. If a result looks off, paint over it again, perhaps in a different direction (left to right instead of up and down). Often a second pass is all it takes.
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Adjust Brush Hardness
If edges look mushy, right-click and raise the brush Hardness. A harder edge often blends more convincingly on simple backgrounds like grass, sky or water.
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Remove the Small Stuff Too
While you’re at it, take out minor distractions like a strip of reflective tape on a jacket or a bit of chain-link fence at the edge of the frame. The simpler the background, the better the tool performs.
Clean Up With the Clone Stamp
Where the Spot Healing Brush leaves a smear, a repeated pattern or a broken line, the Clone Stamp gives you full control because you choose exactly what gets painted.
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Create Another New Layer
Add a fresh layer above the healing layer so the cleanup is separate and reversible.
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Set Up the Clone Stamp
Press S. In the Options bar set Mode to Normal and Sample to Current & Below, which reads the layers beneath while painting on the empty one. Right-click to soften the brush a little.
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Sample and Align
Hold Alt/Option and click a clean area to set the source. The brush cursor shows a live preview of what you are about to paint, which makes it easy to line up a horizon or shoreline before you click.
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Extend Lines to the Edge
Paint along the horizon to carry the natural line all the way to the edge of the frame where the healing tool broke it. If the same detail starts repeating, sample a different spot and paint over the repeat.
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Lower the Flow to Blend
For a gentler fix, reduce Flow in the Options bar, or hold Shift and press a number key (Shift + 3 for 30 percent, for example). Low flow lets you build the correction gradually and decide how much cloning you actually want.
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Check the Whole Frame
Zoom out and scan for anything that still hints at the original object, such as a faint dark line where a fence post used to be. Clone over it and move on.
Key Takeaways
- Reach for the Spot Healing Brush first; it removes most distractions automatically.
- Use Content-Aware and Sample All Layers so you can work on an empty layer.
- Remove large objects in small pieces and repaint any area that looks off.
- Switch to the Clone Stamp (Current & Below) to repair lines and repeated patterns.
- Keep everything on separate layers so the edit stays non-destructive.
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