A man in a gray hoodie on a lakefront at sunrise, with natural dark skin tones after skin tone correction in Camera Raw

Skin Tones, Color Grading & Presets in Photoshop & Lightroom

THIS COURSE INCLUDES

  • 12 Lessonsin 3 sections
  • 2h 11mof 4K video
  • All Levelsbeginner to advanced
  • 121 Presets, Actions & LUTsyours to keep
  • 49 Sample Imagesincluding 2 RAW files
  • 15 Layered PSDsof every finished edit
  • 12 Lesson Guidesprintable PDF, one for every lesson
  • 7 Install Guidesprintable PDFs
  • Captionsand chapters on every lesson

Description

Color grading can give any photo a mood, but the moment you push a look, skin turns orange, green or gray. This course solves both halves of that problem. First you’ll learn to correct skin for every skin tone, light or dark, in RAW files and JPEGs, with the vectorscope in Camera Raw. Then you’ll color grade any look in Photoshop and Camera Raw while the skin stays natural, and save it as a Lightroom preset that puts one look on a whole shoot.

It’s more than a course. Every grading lesson comes with a pack of looks we built and tested on every skin tone: 121 presets, actions, gradient maps and LUTs in all, with 49 sample images and 15 layered PSDs to follow along. They’re yours to keep and use on your own photos.

Table of Contents

Course Preview
  • 01 - What You'll Learn in This Course
    3:32m
Section 1 · Color Correction
  • 01 - How to Color Correct Light Skin Tones in Camera Raw
    21:31m
  • 02 - How to Color Correct Dark Skin Tones in Camera Raw
    13:48m
  • 03 - How to Color Correct Skin Tones in a JPEG
    16:29m
Section 2 · Color Grading
  • 01 - How to Color Grade With Curves
    15:38m
  • 02 - How to Color Grade With Solid Color Layers and Blend If
    12:57m
  • 03 - How to Color Grade With a Gradient Map
    5:41m
  • 04 - How to Color Grade With the Camera Raw Color Grading Wheels
    9:44m
  • 05 - How to Color Grade Without Ruining Skin Tones
    6:48m
  • 06 - How to Save Any Color Grade as a LUT
    9:05m
Section 3 · Lightroom
  • 01 - How to Create Lightroom Presets
    9:22m
  • 02 - How to Make a Whole Shoot Match in Lightroom
    6:01m
  • 03 - How to Export Photos for the Web
    3:53m

Included With This Course

121 Presets, Actions and LUTs, Yours to Keep

This isn’t just a course. Every color grading lesson comes with a ready-made pack of looks, built and tested to keep skin natural on every skin tone, with an install guide for each one. Use them on any of your photos.

  • Four PHLEARN Curves presets on a portrait of a man in orange sunglasses: Driftwood, After Dark, Pink Lemonade and Pine Shadow

    20

    Curves Presets

    Photoshop · Lesson 4

  • Four PHLEARN Blend If looks on a woman floating in water at dusk: Seaside Haze, Desert Clay, Apricot Haze and Copper & Cyan

    20

    Blend If Actions

    Photoshop · Lesson 5

  • Four PHLEARN gradient map looks on a moody window-light portrait: Blue Hour, Warm Film, Sunset Pink and Tungsten Night

    20

    Gradient Maps

    Photoshop · Lesson 6

  • Four PHLEARN Color Grading Wheels presets on a woman by a window: Moonlit, Marquee, Bronze and Cotton Candy

    20

    Color Grading Wheels Presets

    Camera Raw & Lightroom · Lesson 7

  • A woman in a cactus field at sunset, ungraded on the left and color graded with her skin protected on the right

    1

    Protect Skin Action

    Photoshop · Lesson 8 · keeps skin natural under any grade

  • Four PHLEARN color grading LUTs on a woman walking on desert dunes at sunset: North Sea, Postcard, Blossom and Deep Forest

    20

    Color Grading LUTs

    Photoshop & video apps · Lesson 9

  • Four PHLEARN Lightroom presets on a woman holding a red flower: Amber Light, Blue Hour, Warm Fade and Teal Shadows

    20

    Lightroom Presets

    15 looks + 5 skin fixes, desktop & mobile · Lesson 10

  • Plus

    • 49sample images, including 2 RAW files
    • 15layered PSDs of every finished edit
    • 12lesson guides (PDF), one for every lesson
    • 7printable install and usage guides

Section 1 · Lessons 1–3

Color Correction: Natural Skin for Every Skin Tone

Read skin color on the vectorscope and correct it on light and dark skin, in RAW files and in JPEGs.

A woman in a mint dress under a sculpted pine tree beside a pond at sunset, with a warm cast over her skin and a pale sky
The same portrait after skin tone correction in Camera Raw: natural skin, a deeper blue sky and a soft glow on the subject
AfterBefore
Lesson 1 · Start Here

Skin Tones You Can Trust

Skin often looks a little off, and it’s hard to say why. In the first lesson you’ll learn to read skin color on Camera Raw’s vectorscope, where natural skin falls along a single line, so you have a target instead of a guess. You’ll correct a RAW portrait lit with warm, colored light until her skin looks true, then finish the whole photo in Camera Raw with a deeper sky, a soft glow on the subject and a clean export.

A man in a gray hoodie on a lakefront at sunrise, with flat skin and a hazy sky
The same sunrise portrait with natural dark skin tones corrected in Camera Raw, a richer sky and a brighter face
AfterBefore

The Same Line for Darker Skin

Darker skin isn’t harder to correct; it just needs the right reference. You’ll see the same skin tone line from the first lesson work on a sunrise portrait, and why the fix comes down to a much smaller move than most people expect. Warmer or cooler then becomes a creative choice instead of a guess, and you’ll know which way to take it.

Light the Face After the Fact

The light in this photo landed on his chest, not his face. You’ll learn how to combine masks in Camera Raw so only the face brightens, then add a glow around the sun and deepen the sky, all without leaving Camera Raw or touching the skin color you just corrected.

Clean Up in the Same Sitting

Sensor dust, blemishes, a tilted horizon and a stray airplane trail all go before you leave Camera Raw. You’ll see which of these fixes run automatically, which take a single click, and the one place in the course where generative AI does the cleanup.

A woman lying in dry beach grass in late sun, with grass shadows across her face and a yellow-green cast on her skin, before correction
The same JPEG after skin tone correction: the yellow-green cast removed and her skin warm and natural
AfterBefore

When There’s No RAW File

Clients send JPEGs and phones save them. The color is baked in, every slider moves faster, and there’s far less room to push. You’ll learn how to make careful corrections that still land skin in the right place, on three photos with three very different problems: a yellow-green cast, a blue cast and a red one, each solved a different way.

Correct Only the Person

Sometimes the background is fine and only the skin is wrong. You’ll learn how to point the vectorscope at just your subject, so you can see their skin on its own and correct it without changing anything else in the photo. It changes how you use the vectorscope from then on.

On the Line Isn’t Always Right

Skin can sit right on the line and still look wrong. You’ll learn what to check next, how to dial a correction back after the fact, and why it pays to step away and look again before you save. On a JPEG, small moves go a long way.

Section 2 · Lessons 4–9

Color Grading: Any Look, Skin Kept Natural

Four ways to color grade in Photoshop and Camera Raw, a way to protect skin under any look, and how to save a grade as a LUT.

A woman in black standing beside a tall window wall in cool, neutral light
The same photo color graded with one Curves layer: warm sunlight, teal windows and deeper shadows
AfterBefore

A Full Color Grade in One Layer

Curves is one of the most powerful color grading tools in Photoshop, and most people only use it for contrast. You’ll learn how the red, green and blue channels add color to the shadows and the highlights, and how a few small moves turn a flat photo into a finished look.

Grade Last, Swap Anytime

Where the grade sits in your layers matters. You’ll learn where to put it so every edit underneath is graded the same way, and so you can try a completely different look later without redoing any of your work. It’s the habit that keeps a big edit flexible.

20 Curves Presets, Installed at Once

Save your own curve to use again, then install the 20 PHLEARN Curves presets in one go and tune them to your photo. Each one is an ordinary Curves layer, so nothing is locked and every look can be changed. The download includes three practice photos and the finished PSDs.

A woman floating on her back in calm water at sunset, eyes closed, before the color grade
The same photo with the Honey Fade Blend If look: warm honey highlights and soft faded shadows, her skin still natural
AfterBefore

Color Exactly Where You Want It

A solid color layer and the right blend mode can tint just the shadows or just the highlights, and you pick the color live while you watch the photo change. It’s one of the most visual ways to grade, and the midtones, where skin lives, stay protected. You’ll also see how each blend mode changes the result.

Blend If for Exact Control

Blend If takes it further. You’ll learn how to decide exactly which tones receive color, with a soft edge so nothing looks pasted on, and how to get looks that are hard to reach with any other technique, like a light color in the deepest shadows. It’s one of our favorite techniques, and once you see it you’ll understand why.

20 Blend If Looks to Make Your Own

Load all 20 PHLEARN Blend If actions in seconds. Each look builds editable shadow and highlight color layers, so you can stack two looks, change a color and make the result your own. They work in any version of Photoshop, and each one is a starting point, not a finished filter.

A woman in dramatic window light with her eyes half closed, before the gradient map
The same portrait with the Warm Film gradient map: lifted, warm brown shadows like film, her skin still natural
AfterBefore

A Hidden Grading Tool

Not many people know a gradient map can color grade, and it does it with a single adjustment layer that covers the shadows, midtones and highlights at once. It’s one of the quickest grades in the course. You’ll learn how it maps color onto a photo and how to choose colors that work together.

Why Most Gradients Fail

The gradients that come with Photoshop aren’t made for this, and you’ll see why they look wrong on a portrait. You’ll learn the one rule a gradient has to follow to work as a grade. Then you’ll learn how to build your own and blend it back so the photo shows through. Every color can be changed at any time.

20 Gradients Built Around Skin

Import the 20 PHLEARN Color Grading gradients once and they stay in Photoshop for good. They were designed with skin tones in mind, so you can click through looks on a portrait without the face going strange. Each one is a starting point you can recolor to taste.

A woman in a white shirt sitting on a window sill in a neutral beige room
The same photo graded with the Camera Raw color grading wheels: cool blue-teal shadows and highlights with warm skin
AfterBefore

The Most Intuitive Way to Grade

Camera Raw has a color grading panel built in: drag a wheel and the shadows, midtones or highlights take on that color. If you know Lightroom, you already know where everything is. You’ll learn how to keep skin natural in the midtones while you color the rest, and how to check the result on the vectorscope.

Fine-Tune, Then Blend

Once the colors are in, you’ll learn how to shape each range on its own, and how Blending and Balance change the feel of the whole grade, and why they always come last. You’ll also see how to compare your grade with the original at any point.

20 Presets That Leave Skin Alone

Save your own grade as a preset, then import the 20 PHLEARN Color Grading Wheels presets from a single file. They color the shadows and highlights and leave skin in the midtones, and they work in Lightroom too, so a look can follow you between apps.

A woman with short curly hair holding dried flowers in the desert at sunset, with cacti and mountains behind her, before the color grade
The same desert portrait after a warm color grade with the Protect Skin action: golden light and deeper shadows, with her skin still natural
AfterBefore
Lesson 8 · Featured Technique

Grade Hard, Keep Skin Natural

Every look you add changes the skin too, and a strong grade can push a face toward red or magenta. This lesson answers the question we hear most: how do you color grade without ruining skin tones? You’ll see the problem on a real portrait, learn a fix you can do by hand, then run the PHLEARN Protect Skin action, which does the work in one click and gives you a place to grade. Curves, gradient maps and color layers all work on top, and the skin stays put.

A woman walking on desert dunes toward a low sun under a pale, hazy sky
The same desert photo with a color grade saved as a LUT: cool teal shadows and haze over rich amber sand
AfterBefore

Turn Any Grade Into One File

Once you’ve built a look from several adjustment layers, you can save the whole thing as a single LUT. You’ll learn how to export one from Photoshop and bring it back, and see it match the original layers exactly. It brings everything in this section together: curves, color layers and a gradient map, combined into one look you can use again.

What a LUT Can and Can’t Carry

A LUT saves color and nothing else. You’ll learn what that means for masks, grain and local edits, which file format to choose, and why the same file works in Photoshop and in most video editors, so one look can cover your photos and your video.

20 LUTs for Photo and Video

Install all 20 PHLEARN Color Grading LUTs in Photoshop in one step, then click through them on your own photo. You may find a look you would never have reached by hand. The guide covers both Mac and Windows.

Section 3 · Lessons 10–12

Lightroom: One Look for a Whole Shoot

Build your own Lightroom presets, make a whole shoot match in a few clicks, and export so your colors hold up online.

A woman in a white blouse holding a red flower in front of dark green leaves
The same portrait with a Lightroom preset: warmer reds, deeper greens and creamy highlights
AfterBefore

The Same Tools, Now in Lightroom

Section 3 moves everything into Lightroom Classic. The tone curve works like Curves in Photoshop and the color grading wheels are the same as Camera Raw’s, so what you’ve learned carries straight over, along with Point Color for targeting a single color.

Presets That Fit Every Photo

Most presets break because they save too much. You’ll learn which panels belong in a preset and which to leave out, so exposure and white balance stay right for each photo and your look travels across a whole shoot. It’s the most useful habit for anyone who makes presets.

15 Looks and 5 Skin Fixes

Import the 20 PHLEARN Lightroom presets in one go, for Lightroom Classic, desktop and mobile. Fifteen are looks and five are one-click fixes for ashy, green, orange, red or yellow skin, kept subtle so they suit more photos and easy to push further when you want more.

A woman in a cream knit sweater backlit at golden hour, with bright, warm highlights
The same golden hour portrait graded in Lightroom, the look then synced across the whole shoot
AfterBefore

One Grade, a Whole Shoot

Grade one photo and the rest of the shoot can match in a few clicks. You’ll learn how to sync only what you changed, keep each photo’s exposure and white balance, and keep refining the look as many times as you like. It’s the fastest way to deliver a shoot with one consistent look.

Check Every Frame

A grade that looks great on one photo can miss on the next. You’ll see how to review a whole series at a glance and catch the frames that need more attention. A quick scroll through the grid is the real test. The download includes two full shoots to practice on, 29 photos in all.

Colors That Look Right Online

Your colors look perfect in Lightroom, then shift when you post them. In the final lesson you’ll learn why, and how to export from Lightroom and Photoshop so your photos look the way you graded them, on the web and on any phone. It’s a short lesson, and one of the most important in the course.

Aaron Nace, founder of PHLEARN

Class Instructor

Aaron Nace

PHLEARN Founder & Lead Instructor

Aaron Nace is a photographer, digital artist, and the founder of PHLEARN. Since 2011 he has taught millions of people to edit with confidence in Photoshop and Lightroom, on YouTube and in PHLEARN PRO, and he has been a featured speaker at Adobe MAX for more than eight years.

Every PRO course comes with the sample images and PSDs to follow along step by step, and Aaron adds new courses and free tutorials all year.

  • 2M+YouTube subscribers
  • 160M+video views
  • 1,000+tutorials published
  • 15years teaching Photoshop

RAW portraits in lessons 1 and 2 by Aaron Nace. Sample images by Bailey Mahon, Antonella Quispe Tumay, Illia Melnichuk, Dynamic Wang, Karsten Winegeart, Samanta Sokolova, Klara Kulikova, Baran Lotfollahi, Marcin Sajur, Martin Woortman, Allen Taylor, Happy Face Emoji, Deny Hill, see plus, Look Studio, jossemio, Anna Blake, Brooke Cagle and Ali Karimiboroujeni via Unsplash.

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Color Grading and Skin Tones: Common Questions

About This Course

Is this course good for beginners?

Yes. Section 1 starts with how to read skin color on the vectorscope, and every lesson comes with the sample images and finished PSDs so you can follow along. If you already grade, each lesson stands on its own, so you can jump straight to the technique you need.

Does this work for every skin tone?

Yes, and that’s the point of Section 1. Lessons 1 and 2 correct light and dark skin with the same reference, and every pack was built and tested on a range of skin tones, so the looks change the shadows and highlights rather than the face.

Why does skin turn orange when I color grade?

Most looks push warm color into the midtones, and that’s where skin lives, so a grade that flatters the background can turn a face orange, red or green. Lesson 8 shows the problem on a real portrait and how to grade as hard as you like while the skin stays natural.

What’s the difference between color correction and color grading?

Color correction makes color accurate: skin that looks like skin and neutrals without a cast. Color grading adds a mood on top. The course follows that order, correction in Section 1 and grading in Section 2, because a grade looks best on a photo that’s already right.

What is the vectorscope in Camera Raw?

It’s a map of every color in your photo, with a line that shows where natural skin falls, whatever the skin tone. Lesson 1 shows how to turn it on and how to read it, and you’ll use it throughout the course. You’ll need a recent version of Camera Raw.

What’s the difference between a LUT and a preset?

A LUT stores color and nothing else, so one file works in Photoshop and in most video apps. A Lightroom preset stores the settings of the panels you choose, so it stays editable. Lessons 9 and 10 cover both, and when each one is the better choice.

Can I use the presets and LUTs on my own photos?

Yes. All 121 presets, actions, gradient maps and LUTs are yours to keep, and you can use them on any of your photos. Each pack comes with a printable guide to installing and using it.

What’s in the course downloads?

Everything you see in the lessons. Every lesson also comes with its own step-by-step PDF guide. There are 49 sample images, including 2 RAW files, and 15 layered PSDs of every finished edit, so you can follow along and check your work. You also get 121 presets, actions, gradient maps and LUTs in 7 packs, and each pack comes with a printable install and usage guide.

Which apps do the packs work in?

The Curves presets, the Blend If actions, the gradient maps and the Protect Skin action are for Photoshop. The Color Grading Wheels presets work in Camera Raw and Lightroom. The 20 Lightroom presets come in two versions: one for Lightroom Classic and desktop, and one for Lightroom mobile. The LUTs work in Photoshop and in most video editors.

Can I download all the packs at once?

Yes. “Download all” in the Included section gets all 7 packs in one 27.4 MB zip, with a folder for each pack named by its lesson. You can also download each pack on its own, and each lesson’s sample files are under that lesson in the course content list.

Do I need to install anything?

Yes, the presets, actions, gradients and LUTs install once and then stay in Photoshop, Camera Raw or Lightroom. Each pack includes its own install and usage guide as a printable PDF.

Are the files mine to keep?

Yes. The presets, actions, gradient maps and LUTs are yours to keep and use on your own photos.

Do the Lightroom presets work in Lightroom mobile?

Yes. The Lightroom presets come in two versions, one for Lightroom Classic and Lightroom desktop and one for Lightroom mobile. The Color Grading Wheels presets work in both Camera Raw and Lightroom.

Which versions of Photoshop and Lightroom do I need?

The course is recorded in Photoshop 2026 with Camera Raw and Lightroom Classic, and the vectorscope needs a recent version of Camera Raw. The Curves presets, gradient maps, LUTs and Blend If actions also work in older versions of Photoshop, and the Protect Skin action needs Photoshop CC 2018 or later.

Does this course use generative AI?

Almost none of it. One optional cleanup step in Lesson 2 uses generative AI in the Remove tool to take out a distraction. Every correction and every grade in the course is done with Camera Raw, adjustment layers and presets.

About PHLEARN PRO

What do I get with PHLEARN PRO?

Every PRO course on PHLEARN, plus all the downloads that go with them: sample images, RAW files, layered PSDs, Photoshop Actions, Lightroom Presets, LUTs, and Brushes. Stream everything in up to 4K with closed captions and chapters, on any device.

How much does PHLEARN PRO cost?

PRO is $12.99 a month, or $99.99 a year, which saves 36%. Both plans include every course, all the practice files, and the full library of presets, LUTs, actions, and brushes. There are no tiers and nothing is held back.

What’s the difference between the free tutorials and PRO?

Free tutorials teach a single technique end to end. PRO courses are longer, go deeper into workflow and decision-making, and include the sample images and finished PSDs, so you can practice on the same files as the lesson.

Do I need to own Photoshop or Lightroom?

Yes. Photoshop and Lightroom are Adobe software, sold as a subscription, and they are not included with PHLEARN PRO. The Adobe Photography plan, which bundles Photoshop and Lightroom, is the most common way our students get both.

Can I cancel?

Yes, anytime, from your account page in a couple of clicks. There are no cancellation fees, and you keep access until the end of the period you have already paid for.

What is the money-back guarantee?

If PHLEARN PRO is not the right fit for you, contact our support team and we will make it right, including a full refund.

Master Photoshop, Lightroom and Photography

Join PHLEARN PRO for $12.99 a month, or $99.99 a year (save 36%). Cancel anytime, with a 100% money-back guarantee.

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