We all strive to live with no regrets – but sometimes, there’s just no escaping a missed opportunity.

This street scene from a Grosvenor Square corner in London took Stevyn Durham two evenings: one for the shot he missed, and one for the shot he came back to get.

Instead of dwelling on a perceived failure when he wasn’t able to capture the image he had in mind, photographer Stevyn Durham set about recreating a charmingly candid shot on a bright London street.

The Missed Shot

On a deliberately extended walk to the station, Stevyn passed by this corner in Grosvenor Square. He was looking for a photo op, and the vibrant colors caught his eye – as did a chic-looking woman he noticed on the sidewalk.

“[She was] stylish and impeccably dressed, in harmony with the Belisha beacons the opposite side of the zebra crossing. I thought the picture could have been a staged fashion shot, the way she stood as if posing for Topshop,” he said. “I hesitated; the girl was gone and so was my chance.”

I hesitated; the girl was gone and so was my chance.

Stevyn Durham

Still, Stevyn was drawn to the backdrop of the street corner, with its interestingly-spaced objects like the light post and the phone box. He decided to practice a composition anyway, and return the next chance he got.

“It’s an expensive area with expensive people,” he said. “Surely, something interesting might turn up.”

Going Back

The very next evening, Stevyn headed back to the street corner. After he’d shot just a few frames, not even thinking much about his subjects yet, a woman approached him and asked what he was photographing. Though he said he was self-conscious that she might take him for a voyeur (“which I suppose I am,” he admitted), Stevyn explained what he found appealing about the location – the phone box, the zebra crossing, and so on.

“’Yes, there’s an awful lot of rectangles,’ she noticed, so she must have been more of an artist than me,” he said. “So, I just shot instinctively, looking at shapes and so on. I carried on for a time, hoping for ‘the one.’”

Eventually, Stevyn said, he got hungry and headed home – but he’d already snapped a keeper. He describes it as a “tidy scene,” but with several elements that tie it all together.

Reading the Street Scene

“Reading from the right, there’s the yellow top of the [beacon] and the girls’ yellow bags – I like that there’s two girls looking so similar, and one is on the phone (as usual),” he said. “They connect to the man, who’s also on his phone, and the guy and girls are also connected by their striking styles. Then, they are connected to the phone box by way of their phones.”

The entire scene tells what Stevyn describes as “some kind of vague story,” which he said is something he looks to incorporate into his photography as much as possible.

Camera and Settings

• CameraPanasonic Lumix DMC-GX7
• Aperturef/6.3
• Shutter1/250 or faster

While getting the perfect shot took some effort, Stevyn said, technically, the shot wasn’t terribly difficult – and he also had plenty of time to prepare and ensure his settings were perfect. The capture was taken with a Panasonic Lumix DMC-GX7 on a day with plenty of light.

“The scene was quite static and not too deep, the settings could be right in the middle,” he said. “I try not to go below 1/250 for candid pictures, and had just enough depth at f/6.3.”

After adjusting the levels and curves, adding a touch of saturation, and straightening to get the lines perfect, Stevyn’s street shot was ready to go. He said he aims to do as little post-processing as possible, but will occasionally apply a bit of dodge/burn to balance the lighting if needed – but tries to stick to corrections that could have been achieved in a darkroom.

“Simply put, this is a ‘find a nice background and wait’ photo,” he said. “Like a lot of these kinds of photographs, most of it is sheer luck. Aside from spotting the potential, all I can really do is my best to be ready and catch that luck. A lot of the time, you miss it – like I did, the day before.”

Aside from spotting the potential, all I can really do is my best to be ready and catch that luck.

Stevyn Durham

Stevyn’s colorful street captures offer intriguing insight into the ordinary scenes we see every day – vignettes that most of us typically overlook. His photography can be seen on Flickr or LensCulture.

Common Questions About This Street Scene

Where was this London street scene taken? On a street corner in Grosvenor Square, London. Stevyn liked the backdrop: the yellow-topped Belisha beacons, the zebra crossing, the light post and the phone box, all interestingly spaced. A woman who stopped to ask what he was photographing summed it up as “an awful lot of rectangles.”

How do you capture a candid street scene? Stevyn calls this a “find a nice background and wait” photo. After he missed a shot at the corner, he practiced a composition there and came back the next evening. He shot instinctively, looking at shapes, and kept going until he had a keeper. He says most of it is luck, and his part is spotting the potential and being ready.

What camera settings did Stevyn Durham use? A Panasonic Lumix DMC-GX7 on a day with plenty of light. The scene was static and not too deep, so the settings could sit in the middle. He tries not to go below 1/250 for candid pictures, and f/6.3 gave him just enough depth.

How did he edit the photo? He adjusted levels and curves, added a touch of saturation and straightened it to get the lines right. He aims to do as little post-processing as possible, sometimes a bit of dodging and burning to balance the light, and sticks to corrections that could have been made in a darkroom.