We came across this tutorial by Juan Melara that shows how to get the Colors often seen in summer blockbuster movies. Today we’re going to show you how to achieve a very similar affect on your images with techniques that can be used in Photoshop.
These minuscule, and red squiggly lines are usually very unnoticeable, but when there is an involvement of a macro shot such as this one by Fernando Braga, they can become a Distraction of interfering with your great eyeball shot.
These are the three major variables that go into creating a composite. To create a believable end result, the color, light, and perspective has to match as much as possible between the images you’re compositing.
Even great photos can usually be improved in Photoshop. There are some things that simply can’t be controlled during a photoshoot that end up being distractions in the final image. Let’s take a look at correcting them.