“Reality is merely an illusion, albeit a very persistent one.”
– Albert Einstein
In the land of giants
With excitement and a sense of possibility I began my dawn hike. Step by squelchy step, across marshy moorland in Northumberland – England’s northernmost county. I was walking in a mythical land of giants. And yet, on this cold morning, their existence was not in doubt. Indeed, the giants warmly welcomed me in their BFG fashion of whooping and waving their arms around. Wind turbines tend to do that.
The challenge I had set myself was to make a wind turbine look like a dandelion seed head! An organic, fuzzy looking, ‘turbo dandelion’ set against a turbulent sky (should I drink less coffee?)
For this I needed a large set of digital images, which I would capture by ‘interval shooting’ (timelapse). In post they would be stacked and blended into one image.
Scouting the location
While I had previously visited this location, I had not pinpointed the exact place from which I would shoot. So with the sun rising in the south east I scouted the west side of the moor until I found a turbine set against moody clouds.
Gear and Camera settings
To minimise weight and decisions, I took one compact system camera and a lens – a Fuji X-T1 & Fuji 16mm. My only other carry was a sturdy old Manfrotto tripod.
I chose to shoot JPEGs (Fine) tokeep the image file size low – and thereby help my ageing laptop to batch process 300 images relatively quickly. 300 RAW files would be too unwieldy.
I wanted to capture some motion blur in the turbine blades, to help achieve a soft dandelion head effect. With my camera set to ISO200 (to minimise noise) and Aperture Priority, I selected an aperture of F8. This resulted in a shutter speed of 1/160th – slow enough to allow motion blur and helpful in getting unshaken shots in the wind.
Switching to Manual, I locked in these settings, and manually focussed on my main subject – vital steps to ensure the same exposure and focus across all images.
Interval Shooting (Timelapse) Settings
Within my camera’s menu I found ‘Interval Shooting’, then set the ‘interval’ (i.e. the delay between each shot) to 2 seconds and ‘number of times’ (i.e. the number of images required) to 300. Key considerations for these were avoiding camera shake and having enough images to help me achieve an organic, soft look to the rotation of the turbine blades.
“There is no bad weather, only inappropriate clothing.” ? Ranulph Fiennes
To help ensure stability in the wind, I set my tripod low, legs splayed wide, I also used my body as a windshield, though with a cold easterly wind on my back, I quickly chilled. My feet were getting wet too – I had forgotten to bring my wellies! Thankfully a warm beany and fishing mittens preserved enough vital warmth to save the shoot.
From 300 to 1
Back at base camp (studio), I quaffed hot coffee and set my camera bag aside for an hour to acclimatise before removing the SD card, then loading and backing up my images.
“Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.” – Scott Adams
Now it was time for some fun – the transformation of 300 stills into one image of a ‘turbo dandelion’. It was also time to ask quite an important question – one that begins and ends in one word. How?
The answer emerged through experimentation, mistakes (aka. learning), and more coffee. I took some familiar tools and some unfamiliar tools and just played. However, the beginning was not promising – my JPEGs looked flat and a little underexposed.
Image 1: The first of the 300 JPEG set (unedited) – a bit underwhelming!
Some basic editing in Lightroom to adjust the lighting was certainly required. These edits were then ‘synchronised’ to the other 299 images in the set – ready for exporting, then stacking and blending in StarStax – a free to download app.
Image 2: After initial Lightroom edits
Image 3. Blended image from StarStax
Using Google Nik plug-ins – Silver Efex Pro 2 and Analog Efex Pro – I converted the image to monochrome and then experimented with motion blur to the foreground.
Image 4. Converted to B&W
Image 5. After Analog Effects – Motion blur added to foreground
However, the image still did not look organic enough. So I turned to Photoshop to bend and shape the turbine. Using ‘puppet warp’, I found it quite tricky to get the curve in the turbine column to look how I wanted. After several attempts – and a sanity break – the turbine finally morphed into a ‘turbo dandelion’. All that remained to be done – in Lightroom – was to add a little more drama to the lighting and clouds.
The title I chose for the final image was the ‘The Turbo Dandelion Wind Farm’.
Derek Snee is an impassioned street, people and architecture photographer. He lives in England’s northernmost county of Northumberland with his wife and a rather large Bermudian cat. Derek loves travel, coffee, and helping others to improve their photography and Lightroom skills. Two years ago he found the answer to a puzzling question on PHLEARN’s YouTube channel and is still PHLEARNing lots today.
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