By duplicating the image multiple times and using blending modes like Screen and Overlay, we’re able to alter different parts of the image separately using layer masks to make sure it looks the way we want it to.
These minuscule, and red squiggly lines are usually very unnoticeable, but when there is an involvement of a macro shot such as this one by Fernando Braga, they can become a Distraction of interfering with your great eyeball shot.
These are the three major variables that go into creating a composite. To create a believable end result, the color, light, and perspective has to match as much as possible between the images you’re compositing.
Even great photos can usually be improved in Photoshop. There are some things that simply can’t be controlled during a photoshoot that end up being distractions in the final image. Let’s take a look at correcting them.
We’ve focused on Retouching a lot here at Phlearn, taking care of zits, applying Makeup in Photoshop, you name it. But we’ve never covered taking care of larger Scale blemishes and redness, such as rosacea or in this case red powder.