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Learn to master color toning in Photoshop! Discover how to use the Camera Raw Filter to add warmth, coolness, or drama to your images. Create stunning presets and achieve professional-level results without ever leaving Photoshop.
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Discover the world of coloring with our in-depth PRO Coloring Learning Path. From color fundamentals to advanced techniques, you’ll learn to create stunning visuals with a perfect blend of color and style.
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AFTER
BEFORE
Color Correct in ACR
Learn how to achieve stunning color tones using the powerful Camera Raw Filter hidden within Photoshop. This guide will walk you through the process step-by-step, no editing experience needed!
Preparing Your Image
To ensure maximum flexibility and control over your color adjustments, follow these steps:
1. Convert to Smart Object: Navigate to Layer > Smart Objects > Convert to Smart Object. This allows you to edit the filter non-destructively.
2. Open Camera Raw Filter: Go to Filter > Camera Raw Filter. This opens the interface where you’ll make your color adjustments.
Color Grading with Three-Way Sliders
Under the Color Grading tab, you’ll find sliders for Highlights, Midtones, and Shadows. These sliders allow you to precisely adjust the color of each tonal range in your image.
3. Click and drag the center of a slider to choose the desired hue for your highlights, midtones, or shadows.
4. Adjust saturation by manipulating the inner point of the slider, while the outer point controls the hue, to achieve the ideal balance of color intensity.
5. Use the bottom slider to fine-tune the brightness or darkness of the selected tonal range.
Fine-Tune Blending and Balance
To further refine your color adjustments, use the Blending and Balance sliders.
The Blending slider controls how smoothly the shadow and highlight colors transition into each other. You can use it to create a more gradual or abrupt blend.
The balance slider shifts the overall temperature of the image towards warmer or cooler tones. Experiment with different settings to achieve your desired look.
Create and Explore Built-In Presets
To preserve your custom color adjustments for future use, double-click the Camera Raw Filter to access the settings at any time. You can then save your edit as a preset by clicking the three dots (…) and selecting Create Preset.
In addition to creating your own presets, the Camera Raw Filter comes with a variety of built-in color grading options. Explore these presets to find a starting point that suits your image. You can further customize the strength of these presets using the opacity slider.
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Want to turn your photos into soft, dreamy masterpieces? In this tutorial, we’ll show you a Photoshop technique that uses layers, filters, and a touch of color magic to create an ethereal look for your images.
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Master the art of stunning special effects with our exclusive Special Effects Learning Path.
Artist Credit
- Ulkar Batista
- Anna Shvets
Images sourced from Pexels.
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AFTER
BEFORE
Soft Focus. Ethereal Glow.
Creating a dreamy effect for your photos is now easier than ever! By combining clever techniques with a sprinkle of creativity, you can unlock a world of artistic possibilities and add a touch of magic to your images. Follow the steps below to achieve stunning results.
Borrowing Colors
1. Let’s start by selecting two images: your main photograph and another image with colors you like.
2. Use the Move Tool (Keyboard Shortcut “V”) to drag the color image on top of your main photo.
3. Change the blend mode of the color image layer to “Screen” to transfer its colors to your subject.
Blurring for Softness
4. To create a dreamy blur, convert the color image layer into a Smart Object. Simply, right-click on the color image layer in the Layers panel and select “Convert to Smart Object” from the context menu.
5. Apply a Gaussian Blur filter. This softens the details in the color image while keeping the color information intact.
6. Adjust the opacity of the blurred color layer to control the intensity of the effect.
Gradient Map for Mood
7. For further color manipulation, add a Gradient Map adjustment layer.
8. Choose a gradient that complements your desired mood. Remember to check the “Reverse” box if the gradient appears inverted.
9. Adjust the opacity of the Gradient Map layer to blend it seamlessly with the rest of the image.
Adding Dreamy Blur
10. To create a subtle blur effect that emphasizes highlights, duplicate your background layer.
11. Convert this copy into a Smart Object and apply a Motion Blur filter.
12. Set the direction and strength of the blur to your liking.
13. Change the blend mode of the blurred layer to “Lighten” for a soft, hazy effect. You can further refine the effect by adjusting the layer’s position.
Final Touches
Minimize all your layers to see the final result. You should have a dreamy image with soft colors, a subtle blur effect, and a touch of mystery. This technique offers a unique way to transform your photos and create an otherworldly atmosphere. Don’t hesitate to experiment with different color palettes and blur settings to achieve your desired dreamlike effect.
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Learn how to transform the colors of your photos in Photoshop with the Neural Filters’ Color Transfer feature! In this tutorial we’ll show you how to apply colors from a preset or even your own image, and fine-tune the effect for a perfect look.
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Recreate the style of any photograph using the color tools in both Lightroom and Photoshop with our exclusive PRO tutorial How to Match Color in Lightroom & Photoshop.
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AFTER
BEFORE
Perfect Color Match
Have you ever wanted to give your photos a color makeover inspired by another image? If so, then Photoshop’s Neural Filters have a powerful tool called “Color Transfer” that can help you achieve that look.
Access Neural Filters
1. Open the photo you want to adjust the colors of in Photoshop.
2. Convert the background layer to a Smart Object using the quick menu option: right-click the background layer in the Layers panel and choose “Convert to Smart Object” from the menu. This step allows for non-destructive editing with the Neural Filter.
3. Go to Filter > Neural Filters.
4. In the Neural Filters window, select “Color Transfer”.
Choose a Reference Image
5. Click on the “Custom” tab.
6. Select the image you want to use as a color reference by browsing your computer.
7. Click “Use This Image” to apply the reference colors.
Adjusting Color Strength
To fine-tune the intensity of the color transfer effect, you can adjust its opacity. Double-click the small sliders next to the “Neural Filters” label on the Layers panel. This reveals the blending options for the filter. Locate the “Opacity” slider and drag it left to decrease the effect’s strength, creating a more subtle color shift.
Explore Blending Modes
For even more creative control, you can experiment with different blend modes to achieve unique color effects. To access these options, double-click the small sliders next to the “Neural Filters” label on the Layers panel. This will reveal the blending options for the filter. The “Normal” blend mode is the default, but you can try others like “Screen” for a more vibrant effect. Play around with different options to see how they alter the final look!
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Learn how to color match objects in your photos using Photoshop! This tutorial will guide you through the process of selecting an object, adjusting its hue and saturation, and adding color reference swatches to achieve a perfect match.
You’ll also learn how to clean up the selection and fine-tune the color balance. Then, we’ll add text and color-match it to the image, creating a cohesive design.
Go PRO:
Learn how to match the color between photos in both Lightroom and Photoshop with our in-depth PRO tutorial How to Match Color in Lightroom & Photoshop.
Artist Credit
- Butfirstcaphesuada
Images sourced from Pexels.
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MATCH COLORS LIKE A PRO
Perfect Color Match
Imagine transforming an image by making its colors sing in perfect harmony. That’s the magic of color matching in Photoshop! Follow the steps below to unify the various elements in your images, and direct the viewer’s eye within the photo.
Selecting the Object to Recolor
1. Open your photo in Photoshop.
2. Choose the Object Selection Tool (keyboard shortcut W). Hover over the image with the tool to see objects automatically highlight.
3. Click on the object you want to recolor.
Find the Right Color
4. Go to Layers > New Adjustment Layer > Hue/Saturation.
This creates a new layer that will only affect the selected object because of the selection made in step 3.
5. Click on the Eyedropper tool in the Properties window.
6. Select the color you want to match the object to (in this case, the pink flowers).
7. Drag the Hue slider until the object’s color closely matches the flowers.
8. Create a new layer (keyboard shortcut B).
9. Use the Eyedropper tool to sample a few colors from the flowers you want to match.
10. Paint these colors on the new layer next to the moped.
11. Use this as a reference point for further adjustments.
Perfecting the Match
12. Go back to the Hue/Saturation adjustment layer.
13. Use the eyedropper tool again to select the color you want to match on the reference layer (the pink color blocks).
14. Fine-tune the Hue and Saturation sliders to achieve the desired color match.
The Object Selection Tool might leave some stray color changes (like the orange taillight). No worries! Click on the layer mask of the Hue/Saturation adjustment layer. This lets you act like a digital painter, using a black brush to erase any unwanted color adjustments. Now your object’s color transformation will be flawless!.
Adding Text
The additional steps below are optional, but they offer a chance to add some artistic flair to your photo. Want to incorporate a title or caption? Follow these steps to make your text sing in harmony with the rest of the image.
1. Use the Text tool (keyboard shortcut T) to add text to your image.
2. Use the Eyedropper tool to sample a color from the moped to match the text color.
Creating a Drop Shadow
3. Use the Layer Style menu to add a drop shadow to the text.
4. Sample a dark green color from the plants in the photo for the drop shadow color (instead of black) to maintain color harmony.
5. You can use two drop shadows, one closer and one further away, to create more depth.
You’re all set! You’ve successfully used Photoshop’s magic to transform your photo’s color palette. By matching an object to another element, you’ve created a sense of visual harmony and elevated the overall aesthetic. Remember, this technique isn’t just about making edits; it’s about unlocking the power of color to tell a story and evoke emotions in your viewers. So, go forth and experiment! Explore different color combinations and see how they can breathe new life into your photos, transforming them from ordinary snapshots to captivating masterpieces.
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Learn how to fix color casts in portrait photos using Photoshop! In this tutorial we’ll show you how to use Color Balance adjustment layers to achieve natural-looking skin tones in your portraits in a few easy steps.
Go PRO:
Take your portraits to the next level with our in-depth PRO tutorial The Beginner’s Guide to Portrait Retouching Using AI & Traditional Tools.
Artist Credit
- Athena
- Umutcan
- Onur Bahadir
- Collis
Images sourced from Pexels.
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AFTER
BEFORE
Balanced Colors, Every Time!
In this tutorial we’ll walk you through using Color Balance Adjustment Layers in Photoshop to enhance your portrait images by creating natural-looking skin tones.
Adding a Color Balance Adjustment Layer
1. Open your portrait photo in Photoshop.
2. Zoom in on your subject’s face for better precision while adjusting colors.
3. In the Layers panel, click the “Create a new adjustment layer” icon.
4. Select “Color Balance” from the menu. This creates a new adjustment layer specifically for color balancing.
Making Adjustments for Natural Skin Tones
Throughout this process, focus on your subject’s skin tone on the image, not the specific slider values.
5. In the “Properties” panel, locate the sliders under “Highlights.”
6. Click on a slider and drag it left or right while observing the impact on your subject’s skin.
7. Aim for natural-looking skin tones. Avoid going too far in either direction, which can create unnatural colors.
Repeat these steps for Midtones and Shadows if needed. Always pay close attention to how color casts affect the shadows on your subject’s face. Aim for a neutral and natural look.
To assess the effectiveness of your edits, the Layers panel provides a handy trick. Click the eyeball icon next to the Color Balance Adjustment Layer. This lets you toggle its visibility on and off, allowing you to easily compare the adjusted version with the original image.
Using Levels Adjustment Layers
Sometimes your image might require additional adjustments beyond Color Balance. In these cases, Levels Adjustment Layers can be a helpful next step. They provide precise control over the overall brightness and contrast of your image. Think of Levels as a histogram that shows the distribution of light and shadows in your photo. By moving the sliders, you can target specific areas:
Brighten shadows: Move the black input level to the left to recover detail in dark areas.
Darken highlights: Move the white input level to the right to reduce blown-out highlights.
Adjust midtone contrast: Move the middle gray slider to control the overall image contrast.
Additional Tips
With practice, using Color Balance Adjustment Layers will become second nature, allowing you to consistently achieve natural-looking skin tones in every portrait.
Embrace Experimentation: Remember, color correction is subjective. Feel free to experiment with the sliders to achieve the look you prefer, while keeping natural skin tones in mind.
Temperature Control: You can create a warmer or cooler image by adjusting the sliders accordingly.
Correct Lighting First: If the image has a strong color cast throughout, consider using Levels Adjustment Layers before Color Balance to address the overall lighting first.
Fight Color Fatigue: Take breaks while editing to avoid color fatigue, which can affect your judgment of the colors you see on screen.
Revisit and Refine: The Color Balance Adjustment Layer is always editable. You can revisit it later and make further adjustments if needed.
How to Color Correct Photos in Adobe Camera Raw
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DifficultyAdvanced
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Length3.25 hours
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Description
Get ready to dive into the fascinating world of compositing! Discover the art of seamlessly blending a person into a brand new background. Unveil some awesome techniques such as shadow blending and color matching that will take your final creation to a whole new level of realism.
THIS COURSE INCLUDES
- 7 Sample Images
- 1 Sample PSD
- 1 Photoshop Brush
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Table of Contents
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01 - Compositing Essentials Unveiled17:15m
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02 - Mastering Subject Integration24:21m
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03 - Crafting the Perfect Reflection29:16m
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04 - Refining Layers20:12m
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05 - Captivating Light Effects39:49m
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06 - Magical Northern Lights22:52m
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07 - Adding the Final Touches32:10m
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Compositing Magic Unleashed
INTO ONE BEAUTIFUL SCENE
COMBINE SEVEN IMAGES
Advanced Compositing in Photoshop
Compositing is what we do best, and we’re here to help you unlock the full potential of this technique to create extraordinary visuals. Discover the art of seamlessly blending multiple images into a surreal and captivating composition using Photoshop.
Expand your Skillset
Master essential tools like Levels, Clipping Masks, Smart Objects, and Custom Photoshop Brushes to develop a seamless workflow for combining multiple images. Gain precise control over the elements you’re compositing and elevate your images to the next level.
Use Stock Images
Don’t let the complexity of compositing hinder your progress, especially when it comes to finding the right images for your creation. Our tutorial includes all the necessary images, saving you valuable time and effort.
FINAL COMPOSITE
ORIGINAL BACKGROUND
Complete PSD File
We don’t just show you how to create this stunning image, we include our own completed PSD file for you to explore and reverse-engineer. See how a pro organizes and structures a project to be able to work quickly and non-destructively.
Photoshop Brush
Using brushes in Photoshop is essential for adding artistic touches, creating unique effects, and enhancing your digital artwork. This course includes our custom Photoshop Brush for you to use and keep forever!
Compositing Learning Path
To comfortably navigate through this course, it’s necessary to have some familiarity with Photoshop and experience in compositing. If you’re new to compositing, we recommend exploring our Compositing Learning Path—a curated selection of our top-notch compositing courses that will guide you from beginner to expert. Follow this link to access the Compositing Learning Path.
Put Your Imagination to Work
Seven Photos, One Masterpiece
Join us in creating an awe-inspiring scene by blending seven stunning free stock images into a seamless and visually striking composite!
AFTER
BEFORE
Perfect Color Match
Craft a convincing composite image by flawlessly matching colors. Dive into the world of adjusting colors separately for shadows, mid-tones, and highlights to achieve an authentic and vibrant color blend that brings your composition to life.
The Power of Artificial Intelligence
With AI-powered tools, you can now achieve precise and accurate selections with just a few clicks, saving you valuable time and effort. Say goodbye to tedious manual selection techniques and embrace the convenience of AI for seamless subject extraction in Photoshop.
Sky Replacement
Learn how to easily swap out the sky in your images with a different sky from another photograph. Discover techniques and tools that enable you to smoothly integrate a new sky, effortlessly transforming the mood and atmosphere of your photos.
CREATE TEXTURES LIKE A PRO
BLEND IMAGES SEAMLESSLY
Texture Integration
Creating textures plays a vital role when blending multiple images in Photoshop. Textures add depth, realism, and cohesion to the final composite, helping to seamlessly integrate various elements.
Efficient Workflow
With almost 15 years of experience under his belt, Aaron Nace has mastered a smooth and efficient compositing workflow. Get ready to learn how to work smart, solve creative challenges, and make the most of various tools to nail your compositing projects.
Mastering Photo Compositing
Once you finish this course, try one of our other advanced compositing courses like Advanced Compositing with Stock Photos and Advanced Compositing with Stock Photos 2!
Aaron Nace
PHLEARN Founder – Class Instructor
Aaron Nace is a photographer, Photoshop artist and founder of PHLEARN. He is the #1 Photoshop instructor in the world with millions of YouTube subscribers.
View More Classes by Aaron Nace
Special thanks to Eberhard Grossgasteiger, Joshimer Biñas, Stephan Seeber, Tobias Bjørkli, and Zayceva Tatiana. Images for this PRO course were sourced from Pexels.
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Learn how create a unique artistic effect by combining a portrait with splatter effects in Photoshop. Using channels for precise selections, we select darker areas of the image and fill them with color. Position splatter effects over the subject and use layer masks to fine-tune the outcome. Experiment with layer styles and blending modes to achieve captivating results. This versatile technique adds depth and dimension to digital art, graphic design, and photography projects.
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AFTER
BEFORE
Create Vibrant Portraits
Learn how to create a unique artistic effect by combining a portrait with splatter effects in Photoshop. This technique adds depth to the image and produces an impressive outcome that cannot be achieved with simple blend modes.
1. Preparing the image and splatter effect:
Start by selecting a suitable portrait and a high-quality splatter effect. Adobe Stock is a great resource for finding appropriate splatter effects. Download the effect and import it into Photoshop.
2. Understanding blending modes:
The blending mode is essential when working with multiple layers in Photoshop. While the ‘multiply’ blending mode can provide interesting results, it may not produce the desired colors or opacity. To achieve a more controlled effect, we’ll use the ‘normal’ blending mode.
3. Utilizing channels for selections:
Channels are powerful tools for making precise selections in Photoshop. They enable you to select specific areas based on the intensity of color information in the image. To work with channels, open the Channels panel by going to Window > Channels.
4. Selecting the appropriate channel:
The goal is to select the channel that contains the most information. In our case, the green channel provides the best result. To create a selection based on the green channel, either hold control/command and click on the thumbnail or use the selection icon.
5. Creating a new layer:
Return to the Layers panel and create a new layer. The selection made using the green channel selects the lighter areas of the image. Invert the selection by going to Select & Inverse to select the darker areas instead.
6. Filling the selection with color:
Create another new layer, and then go to Edit > Fill. Choose ‘color’ for the Contents, and use the color picker’s eyedropper tool to pick the desired color from the background.
7. Utilizing the splatter effect:
The filled selection now has transparency built into it, which adds depth to the image. Make the subject visible again, and position the splatter effects over them. Duplicate the splatter layer as needed to create multiple effects. Use a layer mask to selectively hide or reveal parts of the splatter effect, ensuring that it doesn’t obscure essential features of the subject.
8. Refining the effect:
To further enhance the final result, you can experiment with layer styles such as ‘inner glow’ or ‘drop shadow.’ Additionally, you can adjust the hue, saturation, and brightness of the splatter effect using adjustment layers. Finally, consider experimenting with different blending modes to achieve a variety of interesting results.
This technique is versatile and can be applied to various projects, including digital art, graphic design, and photography.
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Learn to create a warm beautiful atmosphere in your images in Lightroom Desktop. Learn to adjust color and light as well as add masking to light areas to enhance the look and beauty of your photos!
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Special Thanks to the following artist for uploading their images and making them available for free for everyone to use.
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AFTER
BEFORE
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Learn to use Lightroom’s new powerful AI Selection tools like Select Subject to select and isolate colors for more power and control. In this tutorial, we start by selecting the subject and then isolating only her dress – so we can change the color from green to purple and create contrasting colors with the environment.
We also add blue to the sky and bring more attention to the subject with a natural vignette. All of these tips are easy to do and can make a big difference in your images!
Artist Credit
Special Thanks to the following artist for uploading their images and making them available for free for everyone to use.
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AFTER
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Learn how to easily change the background color of any image in Photoshop.
Artist Credit
Photo by Charles Wundengba on Pexels
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MAKE DETAILED SELECTIONS OF HAIR
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Learn how to use Gradient Maps in Photoshop to change the color of any object to match a specific color value! Perfect for changing the colors in a photo to match the colors of a company’s logos and branding.
Ready to learn more Photoshop? Check out The Beginner’s Guide to Photoshop and our comprehensive series of courses in our Photoshop Learning Path.
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CHANGE ANY COLOR TO A SPECIFIC COLOR
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Learn how to use the Color Grading Tool in Lightroom Classic to apply a professional color grade to an image, and then apply that same coloring to an entire series of images.
Artist Credit
Images sourced from Pexels.
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APPLY PROFESSIONAL COLOR GRADE
BEFORE
Pro Color Grading in a Few Clicks
The New Color Grading in Lightroom Classic
Released in 2020, the relatively new Color Grading Tool promises to make the process of color grading quicker and easier without losing the control we need for a professional result.
Follow along as we explore the Color Grading Tool in Lightroom Classic, and use it to color grade an entire collection of images in just a few minutes.
Breaking Down the Color Grading Tool
Import the collection of images provided with the link above, or feel free to use a collection of your own.
Once the images are loaded into Lightroom, open the Develop module, and then open the Color Grading tab.
We’ve talked about color and lightness, but what about saturation? If you want to adjust the saturation of a range, hold SHIFT as you move the cursor within a color wheel.
Once opened, the Color Grading Tool gives us a handful of ways that we can target and adjust the colors in an image.
We can choose to make targeted adjustments, focusing specifically on the highlights, midtones, or shadows in the image.
We can make global adjustments, which will affect the entire photo as a whole. This option is faster, but we sacrifice a lot of control. If you’ve got the time, we recommend sticking with the other adjustment options.
Lastly, there’s the 3-Way adjustment option which allows us to make color adjustments across the highlights, midtones, and shadows with control of each. This is our preferred method, so let’s take a closer look at what it can do.
Notice the 3 color controls for the midtones, shadows, and highlights. These allow you to adjust both the color and the lightness for each range.
While you’re experimenting with color options, you can hold ALT or OPTN to toggle reset options for any one of the color wheels, or for the entire Color Grading Tool. This is great, as it allows you to test out a variety of coloring while being able to quickly undo a change at any point.
If you want a little more control as you move your cursor around a color wheel, holding ALT or OPTN as you drag will decrease the sensitivity of the cursor, allowing you to make finer adjustments.
Coloring a Collection with Sync Settings
If you’re working with a series of similar images from a photoshop, you may want to apply a similar look to every photograph.
The Sync Settings feature in Lightroom makes this process quick and easy.
Back in the Library module, select the image that you’ve color graded.
Then, hit CTRL or CMD + A to select all of the other images that you’ve imported.
Near the bottom right of the screen, click on the Sync Settings button. The Sync Settings dialog will open.
This dialog allows us to choose which adjustments that we want to copy from our main image to every other image that we’ve selected.
Click the Check None button to start from scratch.
Since we only used the Color Grading Tool to make our adjustments, we only need to check the box for Color Grading from the list.
Click Synchronize, and Lightroom will copy those exact adjustments from the Color Grading Tool to every other image selected.
Best of all, you can click on any image, open the Develop module, and then make more adjustments using the Color Grading Tool to give each image a more customized look.
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Follow along as we show you how to realistically change the color of clothing in Photoshop. Learn how to use Layer Masks, Hue/Saturation Adjustment Layers, and Curves Adjustment Layers to change clothing to any color–even black or white.
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CHANGE THE COLOR OF CLOTHING–EVEN TO BLACK AND WHITE!
BEFORE
Change the Color of Clothing & Products
The Basics of Changing Colors in Photoshop
Being able to realistically change the color of something in Photoshop is an essential skill, especially when working with images of clothing, fashion, or products. Fortunately, the tools and techniques you’ll need to work with color are easy to use and master.
Using basic selections, Layer Masks, and Hue/Saturation and Curves Adjustment Layers, you’ll be able to change the color of anything in a matter of minutes.
Making a Selection
Like many other Photoshop techniques, the color change workflow starts with a selection. Selections allow us to do a number of things, like target a specific area or object in a photo that we want to edit.
Since we’re trying to change the color of the subject’s clothing, we need to make a selection of the clothing so that we can change the color without affecting anything else in the image.
There are a ton of ways to make selections in Photoshop–some are quick and easy, and others require a little more time and attention. Since the image we’re working with has a relatively simple background, we’re going to focus on the quicker, automated tools to get the job done.
Keep in mind that selections (and Layer Masks) are things that evolve and change throughout an edit. As you’ll see later, an original selection might need to be refined later in the editing process as we notice areas that the quick selection tools might have missed.
To create a quick, initial selection, open the Select menu and choose the Subject option. Photoshop will try to automatically identify and create a selection around the main subject in the photo.
With this particular image, Select Subject does a nice job of accurately identifying the subject and selecting them. Since we’re only trying to edit the clothing, we’ll eventually need to remove the subject’s face, skin, and hair from the selection, but that will be easier once we’ve converted the selection into a Layer Mask.
Creating a Layer Mask from a Selection
Now that we have an active selection, it’s easy to turn it into a Layer Mask. Since we’re focusing on color change, the main tool we’ll be using is a Hue/Saturation Adjustment Layer. Whenever you have an active selection while creating a new Adjustment Layer, Photoshop automatically loads that selection as the Layer Mask of the Adjustment Layer.
With the selection active, simply create a new Hue/Saturation Adjustment Layer above the image in the Layers Panel. Photoshop will apply the selection to the Layer Mask.
We’re just about ready to start adjusting the color of the clothing, but first we need to remove the subject’s face, skin, and hair from the Layer Mask so that they’re not affected by the Hue/Saturation Adjustment Layer.
Refining the Layer Mask
Layer Masks are very easy to edit and refine over time. The most important thing to remember is that a Layer Mask simply defines where its associated Layer will be visible. White means that that part of the Layer will be visible (in this case, the subject), and black means that that part of the Layer will be invisible (in this case, the background).
Since we want to isolate the clothing, only the clothing should appear in white on the Layer Mask.
Try using the Quick Selection Tool to select the subject’s face and hair. Once you have an active selection, click on the Layer Mask of the Hue/Saturation Adjustment Layer, and then fill the selection with black by opening the Edit menu and clicking on the Fill option.
Repeat this process for any other areas of the subject’s skin and hair.
Once you’re done, only the clothing should be visible in white on the Layer Mask.
Changing the Color
Now that the clothing is separated from the rest of the image, we’re ready to adjust the color! In many cases, a single Hue/Saturation Adjustment Layer will do the trick, but occasionally an additional Curves Adjustment Layer can help bring back detail in the highlights and shadows (most useful when changing the color to black or white). Since it’s handy to have a Curves Adjustment available, let’s set the project up so that we can use both.
We’re going to need the same Layer Mask for both the Hue/Saturation Adjustment Layer and for the Curves Adjustment Layer.
The easiest way to do this, and stay organized, is to put the Hue/Saturation Adjustment Layer into a Group by selecting it and then hitting CTRL or CMD + G.
Then click and drag the Layer Mask we created up to the Group. Now everything we place into this Group will be defined by the Layer Mask of the Group.
Create a Curves Adjustment Layer and place it into the Group with the Hue/Saturation Adjustment Layer.
Working with Hue/Saturation Adjustment Layers
To change the color of the clothing, double-click on the Hue/Saturation Adjustment Layer to open the dialog.
Make sure to check the Colorize box just below the three main sliders. Then adjust the sliders to change the color of the clothing!
While changing the color, you may notice other areas you might have missed while creating the selection and Layer Mask. You can use a variety of selection tools, or just the Brush Tool set to black or white, to further refine the Layer Mask.
Changing the Color to Black or White
Our initial color change turned the clothing from lavender to green, which was pretty easy. But what if we wanted to change the clothing to black or white?
Changing the color of something to black or white can be tricky as it’s easy to lose important details in texture or in the highlight and shadow information.
That’s where the Curves Adjustment Layer can help. For example, let’s try changing the color to black.
Drag the Saturation slider all the way to the left. Then, drag the Lightness slider in the Hue/Saturation Adjustment Layer dialog to near black. Don’t drag it all the way to the left, as you will lose almost all of the detail you’ll need to make it look realistic.
Then, double-click on the Curves Adjustment Layer dialog. Make the darks a little bit darker, and the highlights a little bit brighter. This will help to recover some of the original highlight and shadow information, creating a much more realistic effect.
You can follow the same steps if you want to change the color to white. The only difference being that you want to reverse the Curves adjustments, instead making the highlights a little bit darker and the shadows a bit brighter.
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Learn how to add a bright and beautiful color grade to your photos with the Camera RAW filter in Photoshop!
Ready to learn more Photoshop? Check out The Beginner’s Guide to Photoshop and our comprehensive series of courses in our Photoshop Learning Path.
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BEAUTIFUL COLOR IN JUST A FEW MINUTES
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Learn how to use Levels and Hue/Saturation Adjustments to turn black into any color in Photoshop!
Ready to learn more Photoshop? Check out The Beginner’s Guide to Photoshop and our comprehensive series of courses in our Photoshop Learning Path.
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TURN BLACK INTO ANY COLOR
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Learn how to quickly change the color of almost any background in Photoshop!
Ready to learn more Photoshop? Check out The Beginner’s Guide to Photoshop and our comprehensive series of courses in our Photoshop Learning Path.
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QUICKLY CHANGE THE COLOR OF A BACKGROUND
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Follow along as we change the color of plants and flowers in Photoshop! Learn how to use Hue/Saturation Adjustment Layers, Layer Masks, Groups, and more.
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Change the Color of Plants & Flowers
Change the Color of Anything in Photoshop
Photoshop makes it fairly easy to select particular colors, or even objects, in a photograph and make change to the hue, saturation or brightness.
And changing the colors of plants and flowers is a great way to add more visual interest to an image or just to create an eye-catching effect.
Let’s see what we can do with the plant and flowers in this photo to make the image a littler darker and more dramatic.
Changing Colors with Hue/Saturation
We have some great courses on the power of Adjustment Layers in Photoshop and, if you want to master these useful tools, the Hue/Saturation Adjustment Layer is a great place to start.
You can add Adjustment Layers to the Layer Stack vie the Layer menu at the top of the screen. Hover over New Adjustment Layer and a list will appear with all of the available options.
Since we want to focus on changing the colors in our image, create a Hue/Saturation Adjustment Layer. Once selected, the Hue/Saturation Adjustment dialog will appear. This dialog provides a number of options to both select and change any color in a photo.
Let’s begin by changing the colors of leaves. The easiest way to do this is by selecting the greens in the image. Click on the drop-down box that’s currently set to Master, and then change it to Greens.
Then, for even more precision, you can use the eyedropper tools to select the specific hues of green that you want to adjust.
Once the colors you want to adjust have been selected, move the Hue, Saturation, and Lightness sliders to the left and right to see how those changes affect the image.
We chose to change the green leaves to be more of a dark blue/purple color.
We’ll move on to change the color of the flowers in a moment, but first we need to take care of some spots that the Hue/Saturation Adjustment Layer missed.
Refining Hue/Saturation Adjustments
While the selection tools within the Hue/Saturation Adjustments are very helpful, they won’t always provide a perfect result.
Zooming in, notice that some small areas, like flower stems, were missed by our original selections.
Fortunately, this is a pretty simple fix and we have a few options as to how we approach it.
One method is to simply double-click on Hue/Saturation Adjustment Layer to open the settings window, and then adjust the feathering of the effect using the slider at the bottom of the panel.
By increasing the feathering, the Adjustment will expand out to affect a wider range of hues.
While this can sometimes solve the problem, it didn’t do very much for us in this particular example.
Another more manual approach is to create a new Layer, select the Brush Tool, Sample a color from the surrounding area (hold ALT or OPTN and click on any color to sample it), and then paint over the spot that we want to change to the sampled color.
Select the Layer that you painted on, locate the Blending Mode options at the top of the Layer Panel, and change the Blending Mode to Color.
Notice that Photoshop used the color of where we painted to change the color of the photo information below it.
We’re done with the leaves, now let’s try and change the color of the flowers to complete our new look!
Changing Multiple Colors
Since we’re changing the color of multiple objects in the image, we’re going to need multiple Hue/Saturation Adjustment Layers to finish the job.
Using the same process as when we started, created a new Hue/Saturation Adjustment Layer on top of the Layer Stack.
Since our goal is to change the color of the flowers, choose Yellows from the drop-down box in the Hue/Saturation dialog.
We chose to go with a pretty saturated red to make the image a little more dramatic. But there’s an issue.
Notice that the new adjustment affected the skin tone of the subject. This is a pretty common issue when working with images of people. Any time you adjust reds, oranges, or yellows–any warm color tones–you’re going to end up changing the skin tones of any people in your photo.
As long as you know to look out for this issue, it’s another easy fix.
Simply Group all of the Hue/Saturation Adjustments together by selection all of them and hitting CTRL or CMD + G. Add a Layer Mask to the Group and, using a soft, round brush, use the Brush Tool to paint with black on Layer Mask over the subject and their skin.
This will remove any color changes from affecting the colors in the subject’s skin, hair, and clothing.
You should end up with plants and flowers appearing in the colors that you chose, and a subject that looks perfectly natural.
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Learn some easy Photoshop techniques to change the color of clothing and fabric to match any background!
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MATCH CLOTHING COLOR TO ANY BACKGROUND
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Change the Color of Clothing
Changing Colors in Photoshop
Creating a more cohesive color palette in an image can make for a more pleasing and impactful photograph. Take, for example, a photo of colorful clothing in front of an equally colorful background.
The colors are what make this image pop, but what if we could take it a step further and match the color of the subject’s clothing to more closely match the mural in the background? Let’s give it as try!
Hue/Saturation Adjustment Layers
We often talk about the power of Adjustment Layers in Photoshop. And when you want to change the color of anything, there’s no better tool than the Hue/Saturation Adjustment Layer.
Create a Hue/Saturation Adjustment Layer above the background image. Notice that there are a variety of tools that allow us to define color ranges that we want to affect.
In this particular example, we want to change the color of the subject’s shirt to more of teal color to match the circles in the background.
Using the top drop-down box, we can select Blues to try and target the blue colors in the shirt.
Once you’ve finished defining the Layer Mask, you’re done! You’ve successfully changed the color of the clothing so that it better matches the background.
But we’re not quite done. Let’s take a look at another technique that uses the Brush Tool to remove some bright colors that might be a little too distracting.
Color Change with the Brush Tool
Now when we move the Hue Slider, the blues in the subject’s clothing change. But you’ll also notice that the background colors change as well. Don’t worry too much about this, as we can use a Layer Mask to prevent the Hue/Saturation Adjustment Layer from affecting areas that we don’t want it to.
Fill the Layer Mask of the Hue/Saturation Adjustment Layer with black, and then use the Brush Tool to paint white on the Layer Mask where you want the color change to appear–in our case, the subject’s shirt.
The Brush Tool & Blending Modes
You can also change the color of almost anything in a photo by simply painting with the Brush Tool and using Blending Modes to affect the color.
Sample a teal color from the background and, on a new Layer, paint over a small area of the subject’s bright yellow socks. We’ve got the color we want, but not the effect–it clearly looks like we just painted over the fabric.
To refine the effect, we’ll first need to make a fairly accurate selection of the areas we want to affect. Since we’re targeting the only bright yellow objects in the image, Select Color Range is the perfect tool for the job.
Once you’ve got a selection of the yellow socks, go back to painting over them with that sampled teal color.
Change the Blending Mode of that painted Layer to Color, and you’re good to go!
You should be left with clothing that more closely matches the background, and a more cohesive color palette overall!
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Learn how to color correct any photo in just a few easy clicks using Curves in Photoshop!
Ready to learn more Photoshop? Check out The Beginner’s Guide to Photoshop and our comprehensive series of courses in our Photoshop Learning Path.
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Instantly add color to any black and white photo using the Colorize Neural Filter in Photoshop!
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Instantly Colorize Any Black & White Photo
Neural Filters in Photoshop
Colorize is one of the latest features introduced to Photoshop’s growing suite of Neural Filters. Powered by machine learning with Adobe Sensei, Neural Filters help to take otherwise complicated workflows and simplify them to just a few clicks.
You can find the Neural Filters under the Filter Menu.
Since many of the Neural Filters are still works on progress, most are located under the Beta Filters tab. Each Filter can be downloaded locally to use at any time, but some require an active network connection as they utilize cloud-based services. Depth-Aware Haze is one such Filter, so make sure that you’re connected to the internet if you want to give it a try.
The Colorize Neural Filter
One of the most commonly requested tutorials we get is how to colorize black and white images in Photoshop. While we do cover it in How to Restore Old & Vintage Photos, the manual process can be time consuming and involve a lot of trial and error.
The Colorize Neural Filter promises to make this complicated workflow as easy as a few clicks.
By simply toggling the Colorize Filter, any black and white photo will be instantly colorized.
However, there are several options and sliders that can help dial in the exact look and colors you want. You can use the sliders to adjust the overall amount of cyans, reds, blues, yellows, magentas, and greens in an image. This is especially helpful if you’re working with a portrait and you want to make sure that skin tones look warm and natural.
Focus Points
Since the Colorize Neural Filter is using A.I. to identify what colors should be present in the image, it might not always hit the mark. But the Focus Point feature can help!
You can select multiple Focus Points in a photo and assign a color to each.
We attempted to use a Focus Point to color the rose in our example photo, but Photoshop had some trouble differentiating the rose from the background. You can try to use multiple Focus Points to dial the right colors in, but we found this feature to be hit or miss.
We recommend using the general adjustments for now and then, if you do want to make further changes to the colors, to combine the Colorize Filter with other Adjustment Layers.
Output the Colorize Filter
Like the other Neural Filters, you can choose how you want to output the effect. This will largely depend on your own preferences and workflow, but we would suggest not outputting the effect to the Current Layer. This will affect the original image and make things difficult, or impossible, to go back and fix later on.
Once the effect is applied, you can continue to edit an image normally using any of the hundreds of tools available in Photoshop.
Since the focus is on color, you might want to use Hue/Saturation or Color Balance Adjustment Layers along with Layer Masks to dial in the exact look you want.
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We know what Photoshop can do for our still images, but what can it do for our videos? The answer might surprise you! Learn how to add beautiful color to your videos using the Video Timeline, Adjustment Layers, and color-grading LUTs.
Download our free sample LUT pack that you can start using to color your photos and videos right away. And be sure to check out our ever-expanding library of LUTs.
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Color Grade Video in Photoshop!
Wait… Video? In Photoshop?
It sounds crazy, we know, but Photoshop has a lot of surprising features that support video editing. While we still recommend sticking with programs like Adobe Premiere for major cutting and editing, Photoshop is a viable option when you want to add some quick color grading to your footage.
Loading a video in Photoshop is just as easy as opening an image. Simple drag and drop the video file into the work area or use the File Menu to open the video from the directory. Once the video is loaded, it will appear as a normal Layer within a Video Group.
Edit Video with Adjustment Layers
When it comes to color grading in Photoshop, Adjustment Layers are the best tools to quickly create a wide variety of looks. And using Adjustment Layers on videos is exactly the same as using them on still images. Create an Adjustment Layer of your choice, make sure that it’s above the video in the Layers Panel, and adjust the settings until you achieve the look you want.
Like images, you can use any number of Adjustment Layers you want to dial in the perfect color grade.
Using LUTs in Photoshop
LUTs are a type of Adjustment Layer in Photoshop that appear in the Adjustment Layer Menu as Color Lookup. While they may sound a little confusing, it’s easiest to think of LUTs as a combination of Adjustment Layers and settings combined into a particular look and then saved as a singular file. For example, you could create a dark and moody look using a dozen different Adjustment Layers, and then save those adjustments out as an LUT. Then, if you wanted to apply that same look to another image, simply load the LUT file and it will apply of the adjustments necessary to create it.
We have a ton of LUTs available in our PRO library and we continue to add new looks every week! But if you want to get started right away, and if you’re not a PHLEARN PRO member, you can grab our free sample pack! Simply import the LUTs using the Color Lookup dialog, and then you can add them to your photos and videos in just a few clicks.
LUTs make the process of applying complex looks much easier and they can help you create a more consistent look across any number of video clips.
Export Videos in Photoshop
Once the look is applied, you’ll want to export the clip with the new color grade. Navigate to the File Menu, open the Export Menu, and select Render Video.
Adjust the export settings to what you need, click Render, and then give Photoshop some time to do the work.
You’ll end up with a new video file with your beautiful coloring applied.
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Going for that dark and dramatic look? Then follow along and learn how to create moody and mysterious coloring in Photoshop. And best of all, it can be done using just a single Curves Adjustment Layer!
If you enjoyed this short tutorial and want to take a deeper dive into dark and moody looks (or just color grading in general), check out our PRO course Dark & Moody Coloring in Photoshop! Or if you’d rather lighten the mood, we also have courses on Bright & Airy Coloring and Film & Vintage Coloring.
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Add Drama & Mystery to Any Photo
Getting Started with Dark & Moody Coloring
Before you can start creating a certain style using the color grading tools in Photoshop, you need to make sure you’re pairing that style with the right image. We’re going for a look that’s dark and mysterious, so it should go without saying that a photo of bright and sunny portrait might be a tough sell.
In our example, one of the images seems to fit the style we’re going for perfectly and the other, while still a great photo, does not.
Before color grading any photo, it always helps to sit back and take a long hard look at an image. Study it and ask yourself some questions. What is the lighting and color like in the scene? What sort of style would enhance the mood that the photo already evokes? Answering questions like these will help you determine a color grade that will ultimately elevate the feelings that are already present in an image.
What Makes Dark & Moody so Dark & Moody?
So what sort of things should you look for to determine if a photo would benefit from dark and moody color grading? Well, it certainly helps if the image is already on the darker side. Images with a lot of shadow and only splashes of light usually works great for this sort of style. We’re going to end up enhancing any contrast so natural contrast in the original image helps.
Taking the content of the scene into consideration, look for subjects that aren’t happy and smiling at the camera. If a subject’s face and expression are hidden, whether in shadow or they’re turned away from the camera, it adds an extra sense of mystery to a scene. And those feelings can be enhanced using color grading tools in Photoshop.
Coloring with Curves
Color grading doesn’t have to involve a ton of tools and adjustments to get the look you want. And oftentimes a single tool is all you’ll need to get the job done. So what’s are do-it-all trick to getting a dark and moody look in Photoshop? Curves!
Curves is a powerful Adjustment Layer that checks a lot of boxes in the editor’s workflow. Exposure adjustments? Check. Coloring? Check. Non-destructive? Check. And the list goes on. How does it manage to do so much? Let’s take a look.
Working Curves Adjustment Layers
You can create a Curves Adjustment Layer by opening the Layer menu, hovering over New Adjustment Layer, and selecting Curves.
The Curves dialog will open and Photoshop will place a Curves Adjustment Layer in the Layers Panel above the background image. While it might look daunting at first, Curves are pretty easy to use once you understand the information they provide and allow you to edit. At the heart of the Curves dialog is a histogram–a chart of the lighting and color information in the image.
The histogram displays information from left to right, or from pure black values through pure values white respectively. Looking at the histogram for our example image, we can see that the majority of the information in the photo sits on the darker side of the spectrum. Running through the histogram diagonally from the lower left to the top right is a line that we can add points to and move to make parts of the image lighter or darker or even adjust colors.
For example, if you create a point near the bottom left corner of the line and drag it lower, it will take those dark shadowy areas and make them even darker. Conversely, if you create a point near the top right of the line and move it up, the highlights in the image will get brighter.
To enhance the dark and moody qualities of the image, this is exactly what we want to start out with. By making the darks darker and the highlights a little brighter, we can carefully increase the overall contrast of the image to get the effect that we want.
But Curves can do more than just change highlight and shadow levels. Clicking on the drop-down box near the top of the dialog that says RGB, you’ll see a list of the different individual color channels.
By selecting each channel and going through a similar process as we did when adjusting the highlight and shadow levels, we can introduce more or less of each color into the highlights and shadows of the image.
If you select the Red Channel, create a point near the top right, and then move it up, you’ll add more reds into the highlights of the image. In this case that’s exactly what we want since it will make sure the subject’s skin tones, which are in highlight areas, will stay warm and natural. If you were to move the red point down, it would reduce the reds in that area and add complementary cyan coloring.
All that’s left to do is to go through each color channel and make subtle adjustments, pushing and pulling color values until you get a dark and moody vibe that you like.
How to Color Correct Photos in Adobe Camera Raw
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Color grading is one of the most expressive parts of the photo editing process. With the power to make an image feel dark and mysterious, light and airy, cool and tranquil, or warm and kinetic, color can take your images to surprising places.
In this course we take a look at the advanced coloring tools in Lightroom Classic. From the Tone Curve and HSL controls to workflow enhancers like Lightroom Presets, we break down everything you need to tell wonderful stories with color.
THIS COURSE INCLUDES
- 4 Sample Images
- 3 Lightroom Presets
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Advanced Color Grading
What is Color Grading?
You’ve probably heard the terms ‘color correction’ and ‘color grading’ before, but what do they mean? And what’s the difference? Color correction is about helping your images look balanced and natural. It’s important to have a steady, neutral foundation before adding more stylistic adjustments. Color grading, on the other hand, is all about stylistic adjustments. In this course we show you how to use coloring and color tools to give your images a stunning, evocative look.
Color Grading in Lightroom Classic
Lightroom has a robust suite of tools to help you color and tone your images with precision and care. From basic adjustments like white balance and exposure to more advanced options like the Tone Curve and HSL sliders, we break down each and every tool you can use to take your images to the next level.
Professional Color Grading
Professional color grading is all about precision, control, and taking ownership of every color in an image. We show you how to analyze colors, target specific areas of an image to apply color, and use basic color theory to create beautiful looks.
Change Colors in Lightroom
Getting the exact look and feel we want sometimes requires us to completely change the colors of objects in our photos. Learn how to accurately select and change any color in Lightroom
Range Masking
Range Masking is one of the most powerful and advanced editing tools Lightroom has to offer. Learn how to use Range Masking to target specific areas of an image to make extremely accurate, localized edits for a polished and professional result.
The Tone Curve
Similar to Curves in Photoshop, the Tone Curve in Lightroom is a workhorse for making advanced adjustments to exposure and color. By the end of this course you’ll be a master of this important tool and you’ll feel confident using it to make a wide variety of edits to your photos.
Professional Color Grading Tools
The Color Grading Panel
Relatively new to Lightroom Classic, we cover the appropriately-named Color Grading Tool. This tool has everything you need to apply beautiful coloring to an image faster than ever before.
Highlights, Midtones & Shadows
Light and shadow are the defining features of any photograph. We show you multiple tools and techniques that allow you to edit those areas of light and dark independently–carefully sculpting your edits for a more professional finish.
Lightroom Presets
Want to share your looks with others? Try looks from your some of your favorite artists? Apply consistent coloring across an album of images? Speed up your workflow? Lightroom Presets can do it all and more. Learn how to create, save, and load Presets into Lightroom Classic. Best of all, we include 3 exclusive Presets in the course! And if you’re looking for more, check out our growing library of Lightroom Presets and Color Grading LUTs.
Aaron Nace
PHLEARN Founder – Class Instructor
Aaron Nace is a photographer, Photoshop artist and founder of PHLEARN. He is the #1 Photoshop instructor in the world with millions of YouTube subscribers.
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Artist Credit
Special thanks to Maria Orlova, Rachel Claire, Tony Schnagl, Ivan Samkov. Images for this PRO course were sourced from Pexels.
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Have you ever looked at the color in a photograph or a movie scene and wished your images could look like that? Well, now they can! Learn how to match the color between photos in both Lightroom and Photoshop.
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- 8 Sample Images
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Recreate the Color from Any Photo
Match Color in Photoshop
Photoshop has a wide variety of color grading options that we can use to match the color between images. Whether you want to get the job done quickly with an automated tool or take your time with a more careful, manual approach, we’ll show you the tools to make it happen.
Match Color in Lightroom Classic
Lightroom and Photoshop each have their own strengths when it comes to photo editing, but both programs have powerful tools for color correction and color grading. That’s why we also show you the many options Lightroom has to offer for matching colors and creating beautiful styles. And if you’re new to Lightroom, work through our Lightroom Learning Path and learn about all of the major tools and features.
Professional Color Grading
Working with color is both an art and a craft. We show you the tools and techniques that professionals use to create stunning looks while also helping you recreate your favorite coloring from other images.
Understanding Curves
Curves might be the most powerful tool for color grading at our disposal. If you’ve ever felt overwhelmed looking at the Curves tools in either Lightroom or Photoshop, we’ve got you covered. Learn how to adjust exposure while precisely adding color to the highlights, midtones, and shadows of any photo.
Hue, Saturation & Lightness
Coloring is all about three variables: hue, saturation, and lightness. We break down how to control and shift these important options while explaining how each affects the overall look of an image.
Lightroom Color Grading Tool
There are a lot of tools that we can use for color grading, but there are only some that are made for it. Come along on a tour of the powerful Color Grading panel in Lightroom which makes coloring and styling images easier than ever before.
Professional Color Grading Tools
Automated Tools in Photoshop
Matching colors doesn’t need to take a ton of time. That’s why there’s quick and easy tools like the Match Color option in Photoshop. Learn how to use this automated tool to instantly match the style of any photograph.
Adjustment Layers
Adjustment Layers are the backbone of photo editing in Photoshop. We show you the most useful Adjustment Layers for color grading and matching color, from Curves and Hue/Saturation to lesser known options like Color Balance and Selective Color. Want to learn more about Adjustment Layers? Check out our PRO tutorial that covers each and every one!
Recreate Popular Styles
These techniques will help you recreate the color from any reference photo or video. So whether there’s a photographer whose style that you’ve been dying to try, or it’s a scene from one of your favorite movies, we show you how to replicate any look using a single image and some photo editing savvy.
Aaron Nace
PHLEARN Founder – Class Instructor
Aaron Nace is a photographer, Photoshop artist and founder of PHLEARN. He is the #1 Photoshop instructor in the world with millions of YouTube subscribers.
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Aaron is really . . . what’s the word? . . . . like a savant. that’s the best way to describe him. Pro grade PS lessons? Check. Handsome, engaging host? You bet your ass.
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If you want colors that pop off the screen, you came to the right place! Join as we show you how to create bold and vibrant looks in both Lightroom and Photoshop.
Learn how to target and enhance specific colors, make subtle adjustments to exposure, and protect delicate skin tones so that your subjects look their best while you dial up the colors around them. We even include Lightroom Presets so that you can get started right away!
THIS COURSE INCLUDES
- 4 Sample Images
- 2 Lightroom Presets
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Color That Stands Out
Bold & Vibrant Coloring in Lightroom & Photoshop
This course is all about finding the colors in our images and using Lightroom and Photoshop to bring them to life. Learn to use powerful tools to target specific colors and then control hue, saturation, and lightness to help them stand out. Best of all, these techniques will work no matter what kind of photos you work with!
Lightroom Presets Included
Lightroom Presets are a great way to find inspiration while also saving some time. We include two Lightroom Presets that you can use to get a jump start on your edits. Learn how to use the included Lightroom Presets to quickly add beautiful coloring to any photograph!
Create Beautiful Looks from Scratch
Coloring is one of the most creative processes in a photo editing workflow. Follow along as we show you how to take any photo and build your own beautiful looks from scratch using a combination of professional tools and techniques in both Lightroom and Photoshop.
Bold Looks in Just a Few Minutes!
More images are taken now than ever before and when you need yours to stand out from the crowd, coloring is a great place to start! We show you how to create looks that take advantage of the naturally-occurring colors in a photo by enhancing them and making slight shifts in hue. This allows you to create beautiful, eye-catching palettes that are equal parts bright and bold.
Basics of Color Theory
Colors are at their best when they work together. We show you some basic approaches to identifying and creating looks that take advantage of some of the most powerful color combinations. Want to learn more? Build a foundation in color and color theory in How to Master Color & Tone in Photoshop!
Brighten Images, Lift Shadows
Most images can benefit from some level of general brightening or just lifting up the shadows. We show you how to brighten any photo in Lightroom and Photoshop using precise, non-destructive tools. Learn how to target just the shadows to recover important details that were lost, or brighten a specific part of an image to draw more attention to the things that matter most.
Enhance the Colors in Your Photos
Warm Skin Tones
Skin is one of the most beautiful things to photograph, but one of the most delicate things to handle in the editing process. We show you how to enhance the colors in an image without damaging the natural oranges and reds in skin so that your subjects look great and the colors jump of the screen.
Tone Curves in Lightroom
Learn all about the most powerful coloring tool in Lightroom Classic: the Tone Curve! From targeting the highlights and shadows of a photo to targeting specific colors and color ranges, this amazing feature can help you dial in the perfect look with professional results.
Adjustment Layers in Photoshop
When it comes to general photo editing in Photoshop, Adjustment Layers should be your go-to tools. Allowing everything from exposure adjustments to detailed coloring, they can be combined and mixed in ways that can create beautiful, unique looks. And best of all, they’re entirely non-destructive, meaning you can get back to your original, unedited image in a snap.
Adjust Exposure
The brightness and exposure in a photo has a lot to do with how the colors turn out. If an image is underexposed, the colors will look muted and desaturated. If an image is overexposed, the colors will look a little too intense. We show you how to balance exposure and then dial in the coloring for a balanced and powerful final image.
Vibrance & Saturation
You might have noticed that some photo editing programs offer two different tools that give you control over the intensity of colors: saturation and vibrance. Learn the differences between saturation and vibrance and when to use each when you want colors that look both amazing and natural.
More Coloring Styles
If you enjoyed this course, we have an entire series on creating different styles and looks in both Lightroom and Photoshop. From Dark & Moody, to Bright & Airy, to a little more old-school feel, we’ve got stunning looks and techniques for everyone!
Aaron Nace
PHLEARN Founder – Class Instructor
Aaron Nace is a photographer, Photoshop artist and founder of PHLEARN. He is the #1 Photoshop instructor in the world with millions of YouTube subscribers.
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Creating your own duotone looks has never been easier! Learn how to use Channels to select both the highlights and the shadows in an image, and then use simple Solid Color Fill Layers to change the color of each for the perfect duotone effect.
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Convert Any Photo Into Two Colors
What is Duotone Coloring?
Duotone coloring is a popular style that involves simplifying the colors in an image down to only two hues; one hue present in the highlights, and another in the shadows.
This is a great technique when you want to create something both graphic and eye-catching, like an image for a banner, advertisement, or poster. It’s also a great way to integrate a client’s color scheme into an image if you’re working on promotional photos for them.
Duotone Coloring in Photoshop
There are a lot of ways to approach duotone coloring in Photoshop. But all of them will involve some method for coloring the highlights and shadows independently from one another. When it comes to making detailed selections of highlights and shadows, Channels are our tool of choice.
Making Selections with Channels
Channels might be one of the most underrated and underutilized tools in Photoshop. Capable of making ultra-detailed selections, they’re great for everything from coloring to cutting out hair from a background. You can find Channels next to the Layers tab in the Layers Panel. Clicking on the Channels tab will open a list of all of the available color channels in the document you’re working on. Since we’re working in RGB, there’s an RGB Channel and then individual Channels for red, green, and blue.
Viewing each Channel individually will show you a black and white version of the image. Not only that, the black and white preview also shows how much of that color is present in the image, where lighter areas mean there’s more of that color in an area and darker areas mean there is less of that color present. Say, for example, you had an image of a pure blue sky over a wheat field. If you were to look at the blue Channel, the sky would appear almost pure white and the ground would be a deep dark gray. Why? Because the blue channel is showing you where blues are present in the image, representing them as lighter areas in the black and white preview.
So how does this help us with duotone coloring?
Since we need an accurate way of selecting the highlights and shadows in an image, we can use the RGB color information in Channels to help us out. Loading the first example portrait we’ve provided, we need to go through each Channel and determine which one has the most contrast while also displaying the highlights and shadows in a way that looks most natural. Since we’re using this for coloring, choosing the right Channel is more of a subjective process, so choose the one that you think looks the best.
We decided to go with the blue Channel since it struck the right balance between contrast and having a more balanced look between the highlights and shadows. Now we just need to convert the blue Channel into a Selection.
You can do this by holding CTRL or CMD and clicking on the thumbnail of the blue Channel. Perfect! Now that we have our selection ready, let’s get into process of coloring our image!
Duotone Coloring with Solid Color Fill Layers
You might think that detailed and accurate coloring requires a full suite of ultra-detailed tools. In reality, once we have an accurate Selection of the highlights, we only need very basic tools to add a beautiful duotone effect to the image. Enter the Solid Color Fill Layer.
Solid Color Fill Layers are, by default, large blocks of a single color. But since we have a Selection active, it will automatically load as a Layer Mask in any Solid Color Fill Layer we create.
That means that the Fill Layer will only appear in highlights we isolated with Channels. Create a Solid Color Fill Layers and choose any color, but make sure it’s a lighter color since we’re working on coloring the highlights of the image first.
Once the highlight color is set, we need to color the shadows. Create another Solid Color Fill Layer underneath the first, choosing any color you want (just remember to keep it on the darker side). And that’s it!
Since we’re using Adjustment Layers, it’s easy to go back and change the colors at any time, or get back to our original image. Duotone coloring made easy!
This was amazing and also so much fun 🙂
Yet another tremendous and detailed tutorial Aaron and a beautiful piece of art! I love the attention to detail in your compositing tutorials and how fairly random images come together to make something unique and special. The only thing that I wonder about is the reflection. It’s really well done but to my eyes it’s not totally believable because it appears too bright relative to the subject. What do you think? Thanks again!
I really enjoyed this tutorial, and I got a tremendous amount out of it. I don’t do much in the way of compositing yet, but in this tutorial I was introduced to numerous Photoshop techniques that I can use in all my photo work.
As always you have given us some wonderful techniques Aaron. Having gone over the individual tools many times, I find these composite exercises a very satisfying way of putting it all together.
.. Love learning new things on photoshop with phlearn .Aaron make the class so fun and the project so inspiring. Really enjoying this one .thank you Aaron .Bx