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In this episode I cover the best ways to Sharpen your images for the Web using the Unsharp Mask and High Pass Filter in different Blend Modes.

 

Today we are going into a little more Depth with Curves, showing how to adjust Highlights and Shadows separately and how to use the different Color Channels!

 

In this episode we show you how using a bigger, higher power fill Light will help fill in detail when taking photos of someone with brown Skin tones.

 

Checking your Histogram will help you get the best results without using a Light meter. This chart shows how much detail you are getting in the light and dark areas, see how to read it accurately to make sure you’re getting the right Exposure.

 

Today we take you through the build out and photoshoot from our Island of Morel shoot.

 

In this episode we cover 16bit vs 8bit and colorspace. These may sound boring, but they do make a big difference in your final image.

 

In today’s episode see a cool way to add different tones into your image with a couple easy steps using Duotone.

 

This episode gives tips to which camera settings are best for using strobes or speedlights.

 

Its very easy to mess up an image by using a gel too directly and by using too many Colors. This episode covers how to use them in a subtle way to change the overall mood of your photos and which lighting works best.

 

In today’s episode I explain how to make a snoot and the best materials to make lighting modifiers with.

 

In this episode we cover what’s called “clamshell lighting,” with a beauty dish as our main light and softbox as fill. We go over the power Levels of each and how they can best be used together.

 

A beauty dish is unique in that it creates a Hard Light that has soft edges. It does not have a “hot spot” in the middle of it like most reflectors, and can be used to make portraits very compelling.

 

In this episode I’ll show you how one light can change the result of your image through the distance and height from your subject.

 

Softboxes produce a different effect than the umbrellas, here we show you the difference and how you can use it to your advantage.

 

Today we are covering the Differences between white shoot through umbrellas, silver umbrellas, shooting bare bulb, using small reflectors, and a parabolic reflector.

 

What most photographers won’t tell you is that “studio” shots are usually done in their living room. No shame in this, in fact I am going to help you get an awesome home studio.

 

Today we are going through the rest of the Adjustment Layers, and showing you which ones should be used in what circumstances. You will be able to make your images much better in less time by knowing the right layer to grab.

 

Curves and Levels are the bread and butter of Photo Editing, but it can be difficult to know which one to use. Today we analyze both, and give the strengths and weakness of each.

 

Creating realistic Shadows in Photoshop really is about the hardest thing you can do. The reason for this, is that there is so much more going on than what most people think about.

 

If you have ever had a really hard time making a Layer Mask or Retouching someone’s Skin, this cool tip will really help you.

 

Combining multiple Exposures is a great way to get unique images and is traditionally done with film. We are making a similar effect in Photoshop, which will give you a bit more control over how everything turns out.

 

There are many good Tools to use when doing this sort of thing, but the three to keep in mind are the Clone Stamp, Healing Brush, and Patch Tool.

 

In Part 1 we are covering how to repair the border of the photo, and some great ways to blend layers together.

 

Basically, having a WACOM TABLET is going to save you a lot of time in the long run. More control means less mistakes. There are not many things that you can just go buy to make you better, but this is one of them.

 

A Wacom tablet can really change the way you work in Photoshop. Once you learn to use one well, it will become an essential part of your Workflow.

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