In most cases, using the Color Ranges that exist naturally in a photo will help to bring out the best in the image. In this image we focus on adding orange to the top of the image and green to the bottom.
In today’s episode we create a custom Brush that looks like dirt and show you how to configure it perfectly. We then save the Brush and load it into the Clone Stamp tool to finish the job. The resulting effect is seamless and fun!
Adding a gradient Color Tone to an image can help with it’s Depth and help Draw the viewers eyes towards your intended point of focus. You’ll see how as we take you through a few curves, a little Pen Tool Action and just one Levels Adjustment Layer.
We pick up where we left off in Creating a Movie Poster: Riddick – Part 1. Having taken care of most of the Coloring and Shadow work in part one, now it is time to create the eyes that make this image stand out.
In this episode we show you how to go from an image straight out of camera, into the dark image you see as the final. We cover how to Color your images to strip everything down to one Hue. Then you will learn how to cover your subject in Shadow.
Camera sensors are very powerful tools that capture tons of information, you just need to know how to massage that information out of it. This episode shows you how to bring out those details from your Shadows.
The most basic rules of composition are rather simple but can be extremely difficult to master. Here are a few less orthodox compositional suggestion that might help you make the most of your next photoshoot.
After Kat is cut out from her Background we then extract her Shadow to make it slightly visible under her. From here you are ready to place your subject on any Background you desire, whether it be a solid Color, another image, or a playing Card.
You are often capturing more information in a photo than you realize; the trick is learning how to find that detail. In this tutorial we go over a very simple solution to bring out detail in the Shadows as well as the Highlights.