These minuscule, and red squiggly lines are usually very unnoticeable, but when there is an involvement of a macro shot such as this one by Fernando Braga, they can become a Distraction of interfering with your great eyeball shot.
These are the three major variables that go into creating a composite. To create a believable end result, the color, light, and perspective has to match as much as possible between the images you’re compositing.
Even great photos can usually be improved in Photoshop. There are some things that simply can’t be controlled during a photoshoot that end up being distractions in the final image. Let’s take a look at correcting them.
We’ve focused on Retouching a lot here at Phlearn, taking care of zits, applying Makeup in Photoshop, you name it. But we’ve never covered taking care of larger Scale blemishes and redness, such as rosacea or in this case red powder.
When there is a need to replace a window in Photoshop, or bringing part of one photo into another, it is absolutely necessary that you match the colors and perspective to make it look like it belongs there.