These are the three major variables that go into creating a composite. To create a believable end result, the color, light, and perspective has to match as much as possible between the images you’re compositing.
Even great photos can usually be improved in Photoshop. There are some things that simply can’t be controlled during a photoshoot that end up being distractions in the final image. Let’s take a look at correcting them.
We’ve focused on Retouching a lot here at Phlearn, taking care of zits, applying Makeup in Photoshop, you name it. But we’ve never covered taking care of larger Scale blemishes and redness, such as rosacea or in this case red powder.
When there is a need to replace a window in Photoshop, or bringing part of one photo into another, it is absolutely necessary that you match the colors and perspective to make it look like it belongs there.
We get a lot of people asking us what the difference is between the Healing Brush Tool and the Clone Stamp. While they both have similar uses, there is a Difference in how these Tools get the job done.
It can be hard to pump up the Colors in a photograph without making it look unnatural. In RGB mode, changing your Colors in Curves will also produce changes in Brightness and Exposure. To fix this, we can easily switch to LAB Mode.
When you increase your ISO on a digital camera, your processor amplifies the signal it receives from the sensor to make it stronger, much like an amplifier on a stereo, it makes a quiet signal much louder.
Dan Winters is a great photographer who produces gripping work. He has a way of pulling emotion out of his subjects that will leave you breathless. Today we look at one of his famous portraits of Tom Hanks, and try to reproduce it.
Today we are completing this beer image in Photoshop. We cover the Lighting Effects as well as adding the splashes around the beer. The trick when doing this sort of Composite is to know how much masking needs to be done.